“There’s definitely a formula for getting views. It’s something extreme, something eye-catching. I used to play into that a lot more, and that started to feel inorganic. The formula for growing at an exponential rate — it’s kind of always remained the same. It’s click-baity.”
YouTube sensation Emma Chamberlain, New York Times (no paywall) (more…)
Favourite artist looks? I’ve had a few. Georgia O’Keeffe’s New Mexico minimalism; Warhol’s beatnik Bretons; Lucian Freud’s sweaters and Huntsman suits; not to mention Basquiat’s baggy 80s overcoats.
The New York Times has a great story about the rise of the artist as avatar. Namely, the merch-ification of artists, selling elements of their personal style – an Edward Hopper hat anyone? – alongside postcards in the gallery gift shop. (more…)
‘Floopy’ Birkins are in the news again.
Last year I noticed the move towards not-so-pristine heritage handbags, the kind that look like they’ve been inherited from a wealthy aunt rather than bought box fresh from Luxury Promise. Vogue Business (pay wall) has dug deeper into the phenomenon with new stats from The RealReal that show people are buying visibly lived-in Hermès Birkins and Chanel Double Flaps at a lower price than the ‘mint’ standard usually expected on vintage sites. In the past, luxury resale sites wouldn’t really entertain shabbily treated luxury bags, so it’s very revealing to note the shift. (more…)
This week we’re starting to see the first coverage of the latest Louis Vuitton x Yayoi Kusama collaboration as the Cruise 23 collection prepares to drop in early January. It’s a huge collection and its design and execution are the embodiment of joy, artistry and artisanship.
It’s also super clever.
Yayoi Kusama is one of relatively few fine artists who can be considered almost as brands in themselves. (more…)
