Prada

Wardrobe update: the thin belt and the fresh white slice



The Row AW23 belt

Two very easy winter styling updates to consider if you fancy some newness without a mega cash outlay.

First, a thin leather belt. Thanks to Phoebe Philo, The Row and Louis Vuitton, the big boxy tailored coat is where the smart money is right now, but instead of buttoned, it’s worn wrapped and belted with a one-inch leather belt. (more…)



Prada SS24 – opposites attract



Prada SS24 womenswear

Prada SS24 was a fabulous hybrid of utility toughness and romantic flou. And I’m very much here for it. The same iridescent gloop we saw for the menswear show oozed from the ceiling giving us a kind of syrupy veil to look through.

I always love Prada’s show styling. Here, I liked the oversized Barbour-eque jackets and see-through skirts, and the tucked-in trouser suits with supersized sleeves and unbuttoned flappy cuffs. This look was especially sharp in the shorts suit paired with chiselled Derbys and ankle socks, although I fear it will be annoyingly omnipresent on the nepo-model set – Hayley, Kendall – sigh. (more…)



Trend report: what to wear for AW23



Johnny Dufort for T Magazine

AW23 is emphatically female-focussed, kicking off with supermodel mania – that Vogue cover, the Apple series and a Linda Evangelista book – and continuing with a slew of women-championing exhibitions. We’ve also got the big Phoebe Philo reveal to come, as well as a focus on revivalist classic fashion (aka gentlewoman style). For this you can easily shop your closet, or consider buying pre-loved – the quality may be better and so may the price. “The connection between instability in the economy and consumers’ desire for classic, quality pieces that retain value is certainly at play, as is the cultural zeitgeist,” Kelly McSweeney, senior merchandising manager at The RealReal, told WWD. (more…)



On quiet beauty, Prada make-up 2.0 and the end of the glossy girl boss era



Australian Vogue Beauty Garconne

How cool to be quoted in Noelle Faulkner’s article for Vogue Australia on the emerging anti-perfect aesthetic.

In her piece, ‘The Whole Picture’ (in the August issue), she charts the convergence of discreet fashion and beauty, particularly the growing shift away from obvious enhancements in pursuit of so-called perfection (pillow cheeks, snatched jawlines, uber-pumped lips) and towards a more self-accepting, everyday aesthetic. (more…)