What is it about the Cannes red carpet that’s so much more refined than other red carpets? Don’t answer that. I think I know the answer already.
American premieres and awards are super-planned and super-commercial, all about diamonds and deals. Somehow Cannes just seems a bit cooler. Here’s the evidence; Jane Birkin and Charlotte Gainsbourg in classic garconne style – Birkin in Celine and Gainsbourg in Saint Laurent. (more…)
Kanye’s first Yeezy Gap jacket drooped last week, but is it any cop?
The single nylon puffer was the first piece from the much hyped ten-year project to appear as a pre-order on the U.S Gap website (to be shipped in the autumn). In bright blue, the voluminous $200 jacket wasn’t your average Gap fare. (Some memes compared it to a Smurf-coloured bin bag.)
Early reactions on fashion forums were mixed – 65/35 against I’d say. The 35% were quite emphatic in their enthusiasm, applauding Gap for giving so much trust and control to Team Yeezy. Gap even temporarily erased its entire Instagram feed save for one picture of the polarising item. At this stage, one could concede, what exactly does Gap have to lose? (more…)
Chapeaus off to GQ’sRachel Tashjian, who wrote this very astute critique of Hedi Slimane’s latest Celine menswear collection. And the brand’s overall current appeal.
“His clothing is probably the most intelligently merchandised stuff on the planet. He is making clothes to sell them, proving with every one of his choices why you need them…When you go into a Celine shop, or look at the brand’s e-commerce, you see something so clear and intelligent it might make you mad at other big fashion brands: a few perfect blazers, a leather motorcycle jacket, a leather blouson, a suede trucker jacket, and so on. All the pants are just right. The loafers, sneakers, and boots are just the kind you’re looking for when you don’t know what you’re looking for. Slimane is actually thinking about someone going into a store to buy clothing. What might they want?” (more…)
Hedi Slimane gets a lot of hate, but generally I’m a fan. His latest Celine AW20 collection got criticised for its predictability – bourgeois rock ‘n’ roll again?! But you can’t deny, up close the pieces are immaculately cut and have that forever classicism that’s in keeping with today’s anti fast-fashion mood. (I’m not quite ready to embrace the fashion rental movement; I’m a keep-forever kinda girl.)