Just opened at the end of Ladbroke Grove, a fantastic exhibition of 1960s-80s nightlife photography by West African photographer, Sanlé Sory.
Sory used to take portrait photos in his Burkina Faso (formerly Bobo-Dioulasso) studio, later scooting to local parties and dances as requested, to shoot partygoers in action. According to him, “if there’s music, you need to have memories. Photography tells the story.”
He would also photograph local jazz musicians, the results of which would end up on their record covers. A few years ago, French writer and music collector Florent Mazzoleni came across some of the records and intrigued by the photography decided to track down the photographer. Legend has it that when he arrived in his village, his enquiries led him to Sory in the midst of burning his negatives. (more…)
“Small town subcultures are funny, it’s not like bigger cities where you effectively have tribes. In a small town like Weymouth, one guy in the group is a hippy, another is a skinhead, and another a rocker. It’s the backwater, and it’s always been behind the times, but within that you get little nuggets of interesting people.”
“You could always take the side streets, but you’d be missing out. On the glances, the attraction. The pops of colour. The commotion. The pulse in pacing. The busted Ugg boots, crispy Tims, coifed head-wraps and denim jeans, gathered at the ankle.”