David Hill Gallery

Shane Taylor: “Say yes, when every instinct is to say no”



Shane Taylor street photographer

If you enjoyed the interview with Shane Taylor last week, here’s a bonus post. I touched on this subject when Shane and I met, but we later realised there was more to say. Shane has been open about experiencing anxiety, so I asked him to email me his thoughts on how street photography had helped him to manage his social anxiety.

As an introvert who frequently experiences social awkwardness, I found this very honest account somewhat relatable. Maybe you will too…

DRG: Tell me about how you used street photography to help with your social anxiety?

Shane Taylor: Everyone should try street photography for anxiety. It’s exercise. It gets you out in the sunlight. Like any craft, it’ll focus your mind in an effort to get better at it. It’s also a simple way of engaging with society and developing a sense of empathy.

Personally, I’ve struggled with social anxiety for most of my life. For me, it manifests as an overwhelming, irrational worry about what people are thinking about me. It’s taken me years to realise that the best way to cope with it is to force myself to be as social as possible. To say yes when every instinct is to say no. (more…)



Shane Taylor: people-watching with a camera



Shane Taylor - Ritz Piccadilly

A few years ago, I started following Shane Taylor (aka @heroesforsale) on Instagram. His street photography focusing mostly on a pocket of Mayfair caught my attention; his captured gestures and poetic moments a nod to mid-century greats like Saul Leiter and Garry Winogrand. Originally from Tipperary, he arrived in London in 2019, immersing himself in the people-watching potential of its diverse inhabitants. Building an Instagram following, he branched out into Framelines, a YouTube channel, printed magazine and Patreon community with his co-pilot Josh Edgoose. And now he has co-curated the Street Life exhibition at David Hill Gallery in West London (more…)



See this: Baldwin Lee, A Southern Portrait, 1983-89



Baldwin Lee DeFuniak Springs Florida 1984

“I would approach my potential subjects, explain in as detailed a manner as possible what I had seen, and ask for permission to take a photograph. Of course, small talk — where was I from, who would see the photograph, why I selected them — would sometimes ensue. Often permission was granted with no discussion at all. Looking is a two-way street. Not only is the photographer looking, but the potential subject is looking too. What the subject sees carries great weight. For some reason, people would see me positively. I am not sure if it was my race, gender, physicality, dress, demeanor, or anything else. If in a day I asked twenty people for permission to make photographs, nineteen would say yes.”
Baldwin Lee (more…)



Can Ladbroke Hall turn Notting Hill into an art destination?



Michele Lamy and Loïc Le Gaillard at Ladbroke Hall by Tom Jamieson for FT

“We want to use the language of a foundation or a museum; moving away from the idea of being a gallery. I want everybody to feel they can come in and educate themselves about design. We want diversity, not only in the artists that we work with but the people that visit us, whether that’s a local school or someone from fashion, the arts or design. We’ve been very successful as a business and now want to give back. We’re seeding things here – we’re not sure what, but we know something beautiful will grow.”
Loïc Le Gaillard, Financial Times

News just in: Ladbroke Grove is getting a very zhuzhy arts hub for SS23. (more…)