This week as I marinate in the damp, wind-battered streets of NW10, I’ve been reading all about the French mountain resort of Megève. In particular, the ‘chaletwear’ store AAllard that specialises in après-ski wear and whose founder Armand Allard actually invented the ‘fuseau’, aka the tapered, tailored stirrup pant that begat the stretchy ski pant as an early garment to tuck into ski boots. (When local ski champ Émile Allais wore them for his triple medal win in the 1937 world skiing championships, a trend was born.) (more…)
“We want to use the language of a foundation or a museum; moving away from the idea of being a gallery. I want everybody to feel they can come in and educate themselves about design. We want diversity, not only in the artists that we work with but the people that visit us, whether that’s a local school or someone from fashion, the arts or design. We’ve been very successful as a business and now want to give back. We’re seeding things here – we’re not sure what, but we know something beautiful will grow.” Loïc Le Gaillard, Financial Times
News just in: Ladbroke Grove is getting a very zhuzhy arts hub for SS23. (more…)
I meant to post this yesterday but I was so exhausted from watching the royal funeral (all that slow marching and heavy lifting!) that I had to leave it another day. Apologies if you’re over all the coverage (entirely understandable) but I couldn’t let it pass without a small mention of this fabulous 1952 portrait of the Queen.
If it looks vaguely familiar, it’s because it’s by the same photographer as the UK stamp portrait session – British photographer Dorothy Wilding. I’m embarrassed to say I’d never heard of her until last week. Wilding was a self-taught portrait photographer with studios in Bond Street and New York and had been the Official Royal Photographer since the 1937 Coronation. (more…)
This brief interview between Scott Shuman and Koto Bolofo is a rather wonderful eye-opener into the world of photo book publishing. Or to be more precise, the rarefied world of Steidl book publishing. I seem to have quite a few Steidl books, including the eleven-volume example that Bolofo refers to here.
It’s his series on Hermès, which came out in 2011, but I remember waiting two years for as the publication date kept moving! (I blogged about it here and here and someone recently emailed asking if I’d be interested in selling it. Answer: no thank you!) (more…)