Music

In the mood for Lemaire AW22



Suzi De Givenchy in Lemaire AW22

I’m beginning to hate my puffer jacket. I just want to wear something insulating and protective but unrestricting, something like the many wonderful examples of outerwear shown at Lemaire AW22 last month.

Described as “an urban horde of modern-day hunter-gatherers,” the collection nailed Lemaire’s versatile trademarks – trench coats, soft overcoats, deconstructed blazers – for the 24-hour city girl (or boy). Accompanying the utility-luxe silhouettes and layered styling were equally desirable accessories. Cross-body bags to create graphic demarcation, knitted balaclavas (still around for 2022) and bougie leather water bottle holders. (more…)



In praise of the cultural oral history



oral history

Never met an oral history I didn’t love.

Oral histories are the perfect format book for the time poor. You can open at any page and learn something or entertain yourself in five minutes flat. I first got hooked in the early 90s, starting with Days in the Life* (Jonathon Green’s seminal deep dive into London’s 60s counterculture), swiftly followed by his equally brilliant It: Sex Since the Sixties* (more 60s rompage) and later, Them: Voices from the Immigrant Community in Contemporary Britain*, a fascinating investigation into British immigrant life (Green mentioned recently that he’s planning an update, which is amazing news). (more…)



The Culture of fashion: an oral history of Sofia Coppola’s Marie Antoinette



Sofia Coppola Marie Antoinette

Can you believe that Sofia Coppola’s Marie Antoinette film is 15 years old this year? It’s such a fantastic piece of cinema and Vogue thinks so too. It has managed to compile an astonishingly lengthy oral history speaking to the actors, music consultants, costume designers and even Thierry Boutemy, the famous Belgian florist, breaking down every element of inspiration, technical specs and – of course – fashion detail in this over-one-hour long read. (more…)



Quote of the day: Kate Pierson, The B-52’s on L.A. post-punk thrifting



The Go-Gos

“We were influenced by Diana Vreeland when she was the editor of Vogue in the ’60s. It was very futuristic and stylized. And I went from wearing no makeup at all to that black, punk, really heavy eyeliner. That cat eye. It was just a makeup extravaganza. Cheap, cheap make-up and Day-Glo clothes.”
Kate Pierson, The B-52’s, Harper’s Bazaar

I love this trip down memory lane (more…)