“He was taking his own time, but I also discovered that his clothes withstand time. They are eternal. While I was discussing with Richemont, I bought a lot of vintage pieces and each time I realized they were immune to aging. At Alaïa, creation has its own pace. Such a rare thing in the landscape of fashion. Time as luxury.”
A great reflection from Pieter Mulier on Azzedine Alaïa’s appreciation of time, Vogue. (more…)
“It was completely non-establishment in the sense that the normal news, fashion media, major music entities, had no part in it at all. It was a time when the culture was being made by the kids that were living it. I think that was what was one of the most special things about it, that it was a self-generated, sort of self-owned culture.” (more…)
“For a moment, I cannot remember who I am or why I am sitting here amid this sea of beautiful young people, all of them desperate for recognition, their whole lives ahead of them, empty at the absolute center. TikTok is a sign of the future, which already feels like a thing of the past. It is the clock counting down our fifteen seconds of fame, the sound the world makes as time is running out.”
Writer and English professor Barrett Swanson laments the empty culture of TikTok influencers in this outstanding long read for Harper’s Magazine (more…)
“Even though nightclubs won’t be reopening for a long time and many have closed down permanently, we wanted to assert them as critical cultural spaces, just as much as museums are. We’ve never had so many people ask if we’re having an opening party. People are just desperate to go out and dress up.” (more…)
