I saw this brilliant Keith Haring painting (‘Untitled’) last week at a preview for the Christie’s Post-War and Contemporary Art evening auction. It was painted in 1984, the beginning of the Mac computers era, and the pyramid with the raised hands underneath is supposed to represent the idea of the false worship of technology. How prophetic! (more…)
Pyer Moss isn’t a household name but Robin Givhans’ Washington Post write-up spells out all the reasons why it’s the standout show of NYFW so far. Designer Kerby Jean-Raymond coralled a number of messages into one important and fantastic collection that I predict will be snapped up by buyers and collectors instantly.
As Givhans describes, Jean-Raymond expressed his vision of American blackness, not as ‘other’, but in the everyday sense of black culture. (more…)
I spotted these Jean Cocteau gems at the Liberty Christmas in July press preview. A cluster of matte pastel plates by Raynaud Limoges, this French-made porcelain line got lots of attention on my Instagram Stories. (more…)
“On the day to day, we are a lot more synonymous to being fashion designers, but we’re also still interested in asking these questions and engaging with our audience in a way that isn’t strictly about commerce. We’re so honored that our world has allowed us to do that.”
This looks like a good exhibition by Zoe Latta (quoted above) and Mike Eckhaus, aka fashion designers EckhausLatta, just opened at the Whitney Museum of American Art. (more…)