Ding dong! It’s time for the semi-annual spring knitwear update. What’s new this time around? Ummm, not much; I’m still after the usual – short sleeve knits, merinos, and cashmere-mixes (100% cashmere is a bit too soft and pill-y for me, I’ve decided).
I guess new-ish to the rotation is colour. (more…)
I said a few weeks ago that I didn’t think Michael Rider’s Celine would radically change the way we dress. I still don’t, other than I think he’s succeeding in shifting the tyranny of ‘quiet luxury’ into a more colourful direction.
And one key way he’s doing that is with the silk square scarf.
Formerly Hermès territory, the Celine scarf feels more sporty, vital and graphic. Hermès scarves can also be graphic but there’s often a lot going on in them. (Some have as many as 47 colours, requiring 47 engraving films, as I once discovered on an Hermès workshop tour.) My favourite Hermès scarves were always the geometric ones – I loved the Sugimoto (below), Josef Albers (below) and Natalie Rich-Fernadez’s Delaunay-esque ones of a few years ago. (more…)
If you thought we’d reached peak Carolyn Bessette-Kennedy style this summer, well think again. The signs are pointing to a Bessette-core fall.
Why? It’s so simple. All the Bessette-Kennedy house codes very easily translate to autumn; the black-and-white 90s minimalism palette, the stovepipe pants and dark denim jeans, long pencil skirts and tall boots, and definitely the ¾ single-breasted coat (think Calvin meets COS – and here’s just the thing*). (more…)
From looking at the back-end of my affiliates (those links that sometimes earn me commission – if people shop the posts), I can tell you that COS* is as popular with Disneyrollergirl readers as it is with me.
And now, we have an idea why. (more…)
