So, after many a furrowed brow and clenched jaw, the fash pack has come round to Alessando Michele’s vision for Gucci. I liked it from the first, rushed menswear AW15 collection, which repeated itself in essence for womenswear AW15. We have just seen Cruise 2016 presented in New York, more young, studious-looking models in vintage-inspired threads of a non-specific nature. Michele’s schtick seems to be about the romance and human touch of fashion, hence his Cruise show was presented as girls walking in off the street into a setting of Persian rugs and toile de jouy chairs. Clever and relatable. And beautiful too. (more…)
All of Alexander Lewis’s passions collide this week with the unveiling of his Resort 2016 collection. The half-Brazilian, London-based designer, whose collections are based on envisaging a situation for his women and building a narrative and collection around that, has always focused on pre-collections. But as we all know, the so-called in-between season has recently flourished into the most important money-making season on the calendar.
For Resort 2016, Alexander Lewis imagines his muse in a sophisticated Sao Paulo setting, getting dressed for an evening with her girlfriends, having taken a dance class with voguing duo Aya Sato and Bambi. (more…)
The best thing about this month’s Vogue? Well it’s a toss up between Stella Tennant’s cover; her main fashion shoot (in which she’s styled in miltary fatiques and louche satins); and Laura Weir’s 14-page feature on 90s supermodels.
Here’s the latest guest post from retail expert and DRG contributor, ALISON BISHOP who unpacks her top three findings from WGSN Creative Futures
Fashion industry chiefs, creatives and media socialites gathered earlier this month for the inaugural WGSN Creative Futures event, held in London over two days to join the dots between creativity and commerce. Key themes included: phygital media, retail disruption, real-time social feeds and the important of experience by design. Here are my top three takeaways. (more…)