Guest post: What the menswear buyers bought for AW12

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It’s menswear day at London Fashion Week today, a slightly odd bit of scheduling as the men’s buying season is pretty much over by now. No worries though, menswear is getting its very own mini UK fashion week(end) from 15th -17th June, which will mean designers can maximise their chances of making the order books for SS13. Most of the buying for AW12 was done in Milan and Paris in January so what are the brands, trends and standout pieces that excited the buyers from United Arrows, Lane Crawford, Selfridges, Mr Porter and Harrods?  Alison Bishop, retail editor of consumer insight network LS:N Global shares her findings from the menswear shows:

Trendspotting at the menswear shows, I chatted to a few buyers for their thoughts on what works from the runway onto the shop floor. We agreed the layered sportswear/tailoring looks along with multiple knitwear options, from roll-necks to heavy knits, and classic British styling were the trends to watch for autumn/winter menswear.


UNITED ARROWS
“It’s been good seeing the bigger fashion houses taking risks this season,” Hirofumi Kurino creative advisor at United Arrows said. “Menswear designers need to take a more challenging approach in an unstable economic market where it’s easy for retailers to complain and just take the easy option when it comes to buying for the season ahead,” he added. “We liked the layered sportswear coats over tailored jackets at Lanvin, the prints direction at Dries van Noten [above left] and the difficult shapes for voluminous shirts at Raf Simons [above right].”


LANE CRAWFORD
Lane Crawford’s David Aquilina, menswear buyer for international designers said: “we have picked up quintessential English tailoring, with a strong focus on tonal greys as the new black with herringbones, houndstooth and the Prince of Wales checks being the main fabrications. Evening wear is also important, with most brands not only offering the classic tuxedo, but also more commercially inspired takes on this menswear staple – in jacquards, satins and velvets.” Aquilina’s favourite collections included Burberry Prorsum, “for the way the collection represented a lot of the fundamental themes at play for the season in fabrication, texture and colour – all with a strong sartorial backbone.”


SELFRIDGES
Adam Kelly, Selfridges menswear buying manager said: “there was a real focus on eveningwear at the shows, or rather, a very new kind of eveningwear. The classic silhouette is still apparent, but the new chunky knits and short tuxedo pant, as seen at Dries van Noten, is very fresh,” he said. “We’re buying heavily into chunky knits, in both crew neck and roll neck styles. Hats are also key – we’re expecting both caps and fedoras to do really well with our customers. In formalwear, printed shirts and double-breasted suiting really showcase the British, eccentric feel of the season.”

“We’re excited to be introducing Marni menswear for the first time next season. The collection offers some really interesting outerwear options in the form of collarless coats and jackets.”


MR PORTER
Toby Bateman, buying director Mr Porter, said: “Despite the warm winter we’ve just have had, outerwear was important. However, it seems to have moved from duffle coats and slim tailored overcoats to full size, full length (often oversized in proportion) and belted at the waist. Designers also played with layers, putting short blouson coats over longer length tailored jackets. Knitwear was everywhere and varied in its execution, from chunky long length cardigans worn as coats over jackets, fluffy mohair blend crew necks in vibrant colours, to fine-gauge roll-necks worn as a layer underneath shirts or simply worn under a suit jacket. Traditional fabrications are still important with tweed and Donegals and flecks of colour adding interest. Velvet seems to be the move on from corduroy – seen in jackets and trousers and in forest greens, gold and peacock blue.”

Burberry Prorsum was particularly strong in Milan. We liked the country gent theme with the double-breasted suits, the always good overcoats and the way the show was styled – with duck head handled umbrellas and attaché case that somewhat usurped this gentlemanly outfit. In Paris, Lanvin was a strong collection. Great flowing overcoats, roll-necks, a loose leg pant – very chic. We also really liked Kolor whose play with fabrication, proportion, layering and colour really captures all that’s right now for a grown up man to look great.”

Traditional bench-made English shoes have become one of Mr Porter’s best selling product ranges. “We have sold brogues, Oxfords, loafers and lace-up boots from the likes of John Lobb, Church’s and Grenson,” said Bateman, “and the trend for this type of traditional English shoe seems set to continue.”

“We have picked up Missoni for next season. With the trend for knitwear being so strong and the continued demand for ‘winter colours’ from men, it really seems like the right time for Missoni who are the masters of both these things.”

Jeremy Langmead, editor in chief at Mr Porter said; “Burberry’s country gent look defines the season – all very commercial and helps us sell collections. We think it’s great that knitwear has been such a strong statement; best Missoni collection for years. Everyone layered their knitwear over tailoring, which is a great look to go for. Elsewhere there were lots of deconstructed, easy to wear looks. Comfort is in mind. Prints are strong and have been good for summer and we think they will continue into autumn – burnt velvets, jacquard looks and collection-specific motifs, for example at Dries van Noten and Prada.”


HARRODS
Jason Broderick, head of menswear at Harrods is backing roll necks as a major trend for next winter. “A trend that emerged from the shows was the presence of roll necks presented in fine fabrics, classic shapes and oversize proportions. It was near uniform in Milan and had an equally conspicuous showing in Paris.”

“Outerwear is again all prevailing from the catwalk straight to the street this season,” said Broderick. Leather, shearling and fur trims were his top coat choices. “We are launching the menswear collection from Alexander McQueen which I feel is an apt representation of the best of London’s creative driving force. With the exciting news that London will dedicate a week to menswear in June, there is definitely a more commercial focus on London and menswear in general. We will also reintroduce the Givenchy collection and launch Valentino’s outstanding collection, which was the nearest thing to couture we have seen in menswear in a while,” he said.

Quote of the day: Imran Amed

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“I would have to say that my interview with Karl Lagerfeld was fun because we exchanged ponytail tips before the interview. You can’t do that with many octogenarian fashion legends…”
Imran Amed, GQ  – Happy 5th anniversary Business Of Fashion!

[Image: Scott Trindle]

LONDON FASHION WEEK AW12: Day 4 – it’s all about McQ

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It wasn’t the mainline and so understandably expectations may have been low. The McQ label had become known for wearable pieces, lots of print and jersey, with McQueen motifs to appeal to a younger, less cash-rich customer. McQueen recently bought back its own license with the intention to design McQ inhouse and focus on the rebellious youthful codes of tartan, punk, denim, kilts and other signatures we associate with the British brand. But a year on, yesterday’s collection took a different turn. Under the direction of Sarah Burton, the latest incarnation of McQ featured breathtaking greatcoats and structured dresses with heavy embellishment, each one fuller-skirted and more decorative than the last. The construction, fabrication and finish were better than many ready to wear lines. Forget what you know, this McQ show was no diffusion line, it was a ready to wear collection.

Aside from the clothes themselves, the production was of course a proper show, full of atmosphere, tension and energy. And a surprise at the end. Models with immense bun-heads marched around a square of autumn leaves until the grand finale when a ghostly Kristen McMenemy slowly emerged in a white tulle dress to the sound of gunshots. Behind her a forest (an actual forest) lit up as she picked up a white rope from the leaves and pulled herself along it. It could have been a hologram, so otherworldly did it look but no, it was for real. McMenemy walked along the rope into the forest until she reached a shed and disappeared inside. That was incredible but that wasn’t it. Following the rest of the models’ finale walk-through and Sarah Burton’s bow, the audience dashed into the ‘forest’ to take photos of Kristen in the shed (by now with champagne flute in hand) and to generally ‘ooh’ at the set design. The audience and the set had become one…the audience had become the show. It was bizarre, surreal, thrilling and unlike anything we had seen or are likely to see all week. In fact, it was a bit like the old days of McQueen shows in London and as such it summed up everything that London fashion is celebrated for. Welcome back to London McQ!







LONDON FASHION WEEK AW12: DAY 3

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I tried to keep this brief but it didn’t happen so here goes. First up: Margaret Howell. You don’t get many surprises here but that’s OK. With some designers I like to know what I’m getting and for AW12 we’re getting the perfect white shirt, trad fairisles, fitted twinsets, schoolgirl box-pleated skirts, indestructable tweed trench coats (an update on my navy wool one that kept the biting chill out all weekend) and boyish blazers. To finish off – low side ponytails, penny loafers and darling little olive green Tam-o-shanter hats.

Post-Margaret Howell, I snuck off for a couple of hours to have breakfast in my New Secret Favourite Cafe where I feasted on delicious Mini Magoo porridge and endless capuccinos while I read The Daily (read what I think of iPad catwalk photography here!) and caught up with Twitter

Thomas Tait may be only 24 but he’s already being feted for his mature approach to womenswear. His much-hyped AW12 collection focuses on real problem-solving design rather than just creating pretty dresses so it’s all about the cut and construction. The result was a collection of highly polished separates in the vein of a Celine or an Hermes. In particular, his outerwear is getting lots of love and for AW12 he sees us in luxe high collared jackets and spare cocoon-shaped coats.

J.W. Anderson is another one with all eyes upon him. Like Tait, he is similarly savvy and forward-thinking in his approach – not surprising when you remember that he learned his trade as a visual merchandiser for Prada under Manuela Pavesi. Anderson’s reaction to London’s recent print overdose is to concentrate on texture, shape and innovative fabrics (do read this piece by Melanie Rickey). These tweed-look skirts below are actually made of felted neoprene while his dogtooth prints are made from special Swarovski ‘incandescent laser-cut Crystal Fabric’ (their capitals). While his waffle jumpers and structured skirts are easy on the eye when seen on a rail, Anderson’s styling comes from the Prada school of jarring wrongness which accounts for these fugly flatform loafers. What I like about Anderson (and I finally get about Meadham Kirchhoff who show tomorrow) is that they’re absolutely true to themselves. Anderson goes with his gut and doesn’t bend to outside influence. I think that comes across and it’s really exciting and inspiring.

This is surely going to go down as the season when London Fashion Week reached its tipping point on the tech front. From Harrods’ ‘you be the buyer’ initiative with Burberry (‘Like’ your favourite Burberry outfit on the Harrods Facebook page and you can influence the pieces that Harrods buys for next season) to the FashionGPS Fashiontaxis scheme (where select fashion editors can reserve a cab to specific shows by tweeting @FashionGPS), technology has never been so cool. Key LFW sponsor Vodafone has really raised the bar though with its insanely useful front row tech-charging sockets stashed in drawers under the seats. (Alas no-one seems to be using them, maybe they would be more useful in the back rows?) Even better, yesterday saw the unveiling of Vodafone and Richard Nicoll’s handbag collaboration that I really hope has legs beyond this project. The white tote bag has a genius inbuilt phone charger making it the ultimate power accessory. Note to Vodafone, can you invent a bag that answers my emails please?

But wait, that’s not the only desirable handbag launch. yesterday also saw the big unveiling of Mulberry’s new darling, the Del Rey bag named after you-know-who. Here she is posing with it. (What’s the deal with white handbags though – did I miss something?)

Meanwhile, on my rounds navigating the static exhibition, I heard a great story from bag designer Amelia Powers. This designer met work minister Iain Duncan Smith at London Fashion Week last season where he was quite taken with her brand and her obvious passion for design and craft. (I must admit, having just met her it’s not hard to see why. “I want to be the British Hermes”, she told me.) IDS then called a cabinet meeting and is now in the throes of a campaign to get handbag manufacturing brought back to the UK, using Powers as an example. These bags are the real deal. Selling at £850-£3000, each one takes 2-3 days to cut by hand and they’re as functional as they’re fancy with enough space for an iPad or a laptop.

Yesterday’s overriding beauty trend was the ponytail in all its guises. From low side ponies at Margaret Howell, to mid-position ponytails at Thomas Tait (complete with velvet scrunchies #notevenjoking) and strict linear ponies at Jonathan Saunders, it can go as high or low maintenance as you like.

My last show of the day was Louise Gray and this was a show in the proper sense of the word. A killer house music soundtrack from Hanna Hanra scored the abstract pattern-clash layers and hi-rise hair extensions. As the press notes said, the show was about “everything, all the time.” Alas, the hair got all the attention from me so I’ll have to have a closer look at the clothes on the stand. As a show though, it was fantastic, maximum-energy fun.

[Image credits top to bottom:

Margaret Howell x 4

Disneyrollergirl x 2

WWD.com

JW Anderson Tumblr

Fashion Editor At Large

Netaporter.com

Gianlucalongo

Coco's Tea Party

Disneyrollergirl

Jane Keltner de Valle

Disneyrollergirl x 2]

LONDON FASHION WEEK AW12: DAY 2

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Day two of LFW brought some great outerwear from classic Brit brands, cute DIY hair and makeup looks plus a cinematic treat to end the day…

Daks is well worth getting up at 7am for and it’s not often I say that. The cape-like coats had a hint of Poiret about them – in Daks housechecks and grey tweed. Eyelem Binboga for Daks’ half moon bags were also noteworthy

My favourite venues were 2 Temple Place and The Savoy Hotel. 2 Temple Place is a neo-tudor mansion hired out for events, where Draw In Light held a life drawing class in which art students made charcoal sketches while dressed in silk abstract-print dresses. In another room was an Orla Kiely display against William Morris wallpaper. At the Savoy for Aquascutum I stopped to snap this gorgeous papered wall


Loved the multi-textured coating, wide tailored trousers and minimalist evening dresses with trains at Aquascutum although some parts felt very Burberry. My favourite element was the mini-me Joanna Sykes lookalikes with brushed-back hair and graphic eyeliner

Moschino Cheap & Chic showed in London for the first time and continued its SS12 foodie theme with saccharine Liquorice Allsorts colours and prints. Sam McKnight and Val Garland added youthful hair and make-up – grosgrain hairbands and DIY fabric squares  from Sam and a brilliant pink glitter lip from Val.

I always like to see what Vilshenko is doing. The Russian designer’s traditional folk prints and decorative stitching translates to luxury silk separates and long sleeved dresses. Very cool yet commercial

Kinder Aggugini was my standout show of the day. His cowboy print silks, schoolboy blazers and half-belt coats were complemented with fringed Dr Marten loafers and more glitter lipstick.

Two fashiony sites launched yesterday; Sammcknight.com and ClementsRibeiro.com Both sites look very slick and promise personal inspiration and blog-style content

Great to see the lovely Yang Du making huge progress every time I see her. These incredible owl backpacks are the perfect size for an iPad apparently…

As part of the BFC’s Fash/On Film initiative, we were treated to a preview of Lisa Immordino Vreeland’s The Eye Has To Travel. It’s a great portrait of the truly original Diana Vreeland and comes out in September.

[Aquascutum image: Style.com]

London Fashion Week AW12: Day 1

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Day one of London Fashion week is traditionally a bit of a soft launch but in reality yesterday was as busy as I have ever seen it. Clearly the days of the privileged few having exclusive access to the shows are over and you know what? It’s all for the good of the industry. London Fashion Week sponsor Topshop, enterprising as ever, chose yesterday to launch its latest designer collaborations – the nine-piece Mary Katrantzou collection (which is sold out already) and the 20-piece ‘NewGen 10′ T-shirt collection. As well as exhibiting the NewGen 10 tees inside Somerset House, the tees were on sale from a van in the courtyard attracting a steady stream of customers throughout the day. The cumulative effect of press, buyers, bloggers, students and liggers thronging through Somerset House and spreading the word via their various media/social media channels and just their own spending power is helping London to position itself right at the peak of the global fashion system. We’re in a really interesting transitional time in which the trade show is becoming more of a consumer show and we’re all figuring out how to navigate this.

My highlights include Orla Kiely’s tea dance presentation, Piers Atkinson’s animal-themed cocktail hats, new discoveries Hiroko Nakajima (pop-art knitwear) and Timur Kim (deconstructed denim) at Central St Martins’ degree show and the O Magazine party at the Shop At Bluebird hosted by Caroline Issa. I also had the pleasure of meeting Paula Martins from Brazilian blog Look Of The Day. Paula is one of the 25 Brazilian bloggers here with blog collective F*Hits and had already been in London for two days being schmoozed by power brands like Netaporter and Burberry. Big up the bloggers!

Innocent dresses and bow-trimmed bags at Orla Kiely’s ‘tea dance’

Piers Atkinson AW12 at the Headonism millinery showcase curated by Stephen Jones

Topshop tees

Spotted: someone is wearing my favourite Bella Freud sweater!

Hiroko Nakajima from Central St Martins MA 2012

Timur Kim from Central St Martins MA 2012

Check out Caroline Issa’s Tommy Ton for Club Monaco bag and Bionda Castana clutch

O Magazine comes with tomorrow’s Observer and I won’t spoil the surprise except to say the men’s and women’s issues have been mashed up together and there are feature profiles of Katie Hillier, Kay Montano and Shona Heath AKA three of my favourite creatives

It was also a real treat to get a close look at Preen’s New York Fashion Week runway collection inspired by Beatrix Potter, botanical illustrations, abstract expressionism and couture shapes, according to designer Justin Thornton. Two of the strongest recurring themes recently have been peplums and multi-layered textures and both were represented here with crepe tailoring and rich texture-clashing (e.g. floral under chiffon under sequin and chain) inspired by Victorian scrapbooks. By the way, Preen has just been confirmed for this year’s British Designers Collective at Bicester Village (opening 21st March) so if this is making you drool, mark the date on your iCal for a chance to nab a signature Preen piece or two.

Preen AW12 – don’t miss those insane shoes


[Central St Martins images: Nowfashion.com]

London Fashion Week Foodie News

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Food is the new fashion so forgive me for getting excited over the following foodie news:

PENHALIGON’S FOR MEADHAM KIRCHHOFF SCENTED CHOCOLATES!
Lucky front row show-goers (not me then) at the Meadham Kirchhoff show are in for a multi-sensory treat. As is becoming their ‘thing’, the models, collection and shows space will be spritzed with Penhaligon’s romantic Eau San Pareil but to add an extra twist, fashion editors can chomp on exclusive scented chocolates specially created by The Chocolate Tree. Hmmph, as if they don’t get enough perks…
20120216-131921.jpg

VITA COCO TO KEEP THE FASH PACK GOING
My favourite natural energy drink will be on hand to give flagging spirits a boost at Fashion Weak. Crates of the coconut water drink have been ordered to supply shows and modelling agencies throughout the five days. Result!

FERNANDEZ & WELLS AT SOMERSET HOUSE
Their Soho cafes are where I go to meet my fashion buddies from Lyst and Fashion’s Collective and now Fernandez & Wells is a permanent fixture at Somerset House. That’s my breakfast, lunch and dinner sorted then…

[Fernandez & Wells image: Simplepretty.com]

London Fashion Week News: Alexa Chung’s nails at the People Tree party

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[Image: People Tree]

Quote of the day

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“As much as viewers like to see the eventual winners of these shows realise their dream (at least momentarily), they love to see the losers: the untalented, the girls who lock themselves in the bathroom and cry, the ones whose hopes are wrecked. Because to see regular people fail is to feel, “My life sucks, but it doesn’t suck as bad as that guy/girl’s life sucks right now.””
Vanessa Friedman on fashion reality TV, FT

Doha photo diary

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Some more photos from my trip to Doha, which I’m only just getting around to uploading now. In two days we jam-packed a trip to the Museum of Islamic Art, a walk through the souk, the Toujouri store launch party, a dinner, followed by a crazy brunch in the middle of the desert where first our two Land Rovers literally raced each other across the sand dunes. Oh yeah and we rode camels Sex & The City style… while taking Twitpics obviously.

The fantastic interior of the Museum of Islamic Art – it’s a bit Chanel, no?

Printed fabrics in Souk Waqif

Toujouri’s Lama El Moatassem, me and ‘friend’ with Caroline Issa in the background (fact: Ms Issa never slums it)

Business of Fashion‘s Imran Amed looking for somewhere to charge his phone

“I need to tweet this” #shitbloggersoncamelssay

Loving the leather loungers in the Qatar Airways business class lounge