If you’re a fashion student, summer is the perfect time to do a bit of interning with your mag/stylist/design house of choice. Except it’s not always that easy is it? (more…)
When Harvey Nichols announced its rejigging of the fourth floor in January, I was full of hope. Its press blurb promised a ‘concept store feel’ with exhibitions, installations and constantly evolving product lines. Well so far it’s nice enough but I wouldn’t call it constantly evolving. (more…)
Back in the pre-Mert & Marcus days before ultra-sophisticated fashion, when it wasn’t all about It bags and It shoes, Elaine Constantine was one of the most in-demand photographers around. Her peak was the late nineties when every other photographer tried to imitate her energetic, brightly-lit compositions.
Her commissions included ad campaigns for Jigsaw and endless editorials for Italian Vogue and The Face with Big, Arena Homme Plus and US Vogue coming later. Youthful energy – complete with flowy hair and open-mouthed laughter – was her main trademark and the one that brought her to my attention. Her shoots involved a mix of models and ‘real people’ (often her friends) crowd-surfing, dancing, cycling and having pillow fights – in essence, simply having a good old time.
The result was a hyper-real, action-packed style that wasn’t often found in fashion photography. These days, sadly it’s all about pandering to the advertisers, so statue-still studio shoots take precedence over location shoots which also keeps the budget reined in…
WORDS: Disneyrollergirl / Navaz Batliwalla
IMAGES: Elaine Constantine
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A few weeks ago I had a meeting with a photographer who was bemoaning the state of the magazine industry. “No one has any money, they’re all slashing their budgets, it’s a nightmare,” he droned. Oh dear, I thought. It wasn’t news of course, I know many magazines are so skint they are hardly doing any shoots, but buying in pictures from their sister editions in the US. Dire. So today I brightened when I bought the March issue of UK Harpers’ Bazaar. Bloody hell, I could hardly pick it up. It’s huge – not only thick (360 pages) but supersized, almost as big as W. And the content this month is great – Roisin Murphy’s fashion picks, a scrap-book style catwalk roundup, interviews with Sofia Coppola and Luella Bartley and a profile of YSL.
To me the supersizing is a good move. If the offline magazine industry is seriously threatened by online publications then this sends out a clear message – “We’re significant and we’re here to stay”. Amen to that.
[Double click to enlarge pics]