Ahhh, Regent Street, the legendary John Nash-designed crescent that leads to Piccadilly Circus. It’s as English as tea at Fortnum’s and yet, times are slowly a-changing. Stroll along south of Oxford Circus and you can’t miss the imposing hoardings for Coach, Michael Kors and Polo Ralph Lauren, the American megabrands about to take up residence this summer. (more…)
Here’s the latest guest post from retail expert and DRG contributor, ALISON BISHOP who unpacks her top three findings from WGSN Creative Futures
Fashion industry chiefs, creatives and media socialites gathered earlier this month for the inaugural WGSN Creative Futures event, held in London over two days to join the dots between creativity and commerce. Key themes included: phygital media, retail disruption, real-time social feeds and the important of experience by design. Here are my top three takeaways. (more…)
Who knew that men cared about what’s in other men’s man bags?* Well, it seems Mr Porter cares. This week there’s a feature on stylish, influential men and their ‘everyday carry‘ (kind of). Naturally, I’m all over it. Of course, it helps that Mr Porter has photographed the feature in typical house style – that means styled to perfection, with the latest desirable tech and grooming goodies in place. (more…)
This is turning out to be quite the month for books. I have just opened my Ebay copy of Kate Spade’s ‘Contents’, a book I’ve wanted for years but is now out of print. The concept is simple; photos of the contents of people’s handbags follwed by the identity of the owner and a list of said contents at the back of the book. A voyeurs’s dream. Aside from the lovely unstyled quality of Dan Bibbs’ photos, it’s a telling historical study. These snaps were taken in the days before everyone had iPhones and BlackBerrys. Oh how things change – just look how many leather organsisers there are!
Another visual treat is Audrey Hepburn, International Cover Girl. This was a review copy that I was sent on spec. Now I like Audrey as much as the next person but I’m not obsessed so I expected a pretty nice coffee table book of the ten-a-penny variety. But actually no, the book is stuffed full of cover shoots from 1951-1993, most I’ve not seen before. Not only is it a great insight into Audrey and her many styles of eyebrow (count ’em) but it’s also a good opportunity to study magazine covers through the ages.