Rachel Tashjian

Are we ready to dress up?



Dries van Noten ss26 by Morgane Maurice

Robert Armstrong made a good point a few weeks ago in the FT. “Intentional underdressing [normcore et al] has become ubiquitous and so lost its power. It’s less fun for the mogul to wear a hoodie when his toadies do too; this explains why dressing up is, slowly but surely, coming back in”.

With the long-awaited arrival of NikeSKIMS, this suggests we’ve reached the apex of casual underdressing. It only recently dawned on me why athleisure was so popular for the last five years. Firstly, it’s easy to wear – pull on and go. Its fashionable ubiquity allowed for an abundance of styles, colours, fabrications of the comfiest things to wear; tees, sweats, hoodies, leggings. It’s also cheap to produce since there’s no tailoring, fit or fastenings to speak of. And it’s size inclusive; you just buy one size and it will stretch to accommodate weight loss or gain.

Never before has there been a time when a non size-zero person can look as fashionable as their more slender sister simply by building a wardrobe of different athleisure-adjacent pieces (footwear included). With the biggest fashion influencers of the day – Kim, Kanye, Rihanna, the Jenners, the Biebers – advocating for sweats, leggings and sneakers, it gave a seal of approval to anyone who wanted to look sporty and rich (even if lazy and poor).
Hailey Bieber
Hailey Bieber 2023

But. What happens when everyone is sporting Balenciaga, SKIMS, Nike, Fear of God, Alo or their Shein dupes? The early adopters start wanting to differentiate themselves. Hence the delightful and delighted reception this past fashion month of much dressier day clothes from Loewe, Celine, Dior, Dries, Jil and Alaïa.

Colours are pure and energetic; complementary primaries – green layered with red, Klein blue popping against yellow. (If you don’t want to wear them on your body, consider a bag*, bag charm* or small leathergood*.) Silhouettes are at the conceptual end of wearable – structured silver leather pencil skirts at Jil Sander, sculpted leather at Alaïa and Loewe, mind-bending tailoring at Dior – but passed through a high street filter will make sense to everyday dressing in due course.
Loewe SS26
Loewe SS26
Celine SS26 bangles
Dries ss26 by Morgane Maurice
Celine SS26
Celine SS26
Loewe SS26 shoes

These elevated looks demand a more considered shoe than the ubiquitous ASICS Gel-1130 or New Balance 530 dad trainer. Sports shoe sales are slowing (Nike footwear revenue is down 12%) so walkable Manolos, versatile loafers or low profile jazz shoes are on standby to take their place. (Personally, I love the look of the G.H Bass Venetian loafer*.)

We’ve needed this for a long time to shake us out of our post-Covid comfort rut. Surely, we’ve all amassed enough sweats, Crocs and ‘Rowdent’ understated oatmeal cashmere? As Rachel Tashjian said earlier this year, “the “cool girl” in her oversize blazer and baseball cap, with her quiet luxury dreams and her pricey smoothies, has been so popular for so long that she’s starting to seem like a menace.” I keep saying 2025 is the real beginning of the decade and this feels like the reset dress-up wheels might finally be in motion.

NOW CLICK BELOW TO SHOP THE POST (I MAY EARN A COMMISSION ON THE BASKET VALUE OF ITEMS BOUGHT*)…

WORDS: Disneyrollergirl / Navaz Batliwalla
IMAGES: Dries van Noten SS26/Morgane Maurice; Hailey Beiber x 2; Loewe SS26 x 2; Celine SS26; Dries van Noten SS26/Morgane Maurice; Celine SS26 x 2; Loewe SS26
NOTE: Most images are digitally enhanced. Some posts use affiliate links* and PR samples. Please read my privacy and cookies policy here.

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Zara is a designer brand now



Zara SRPLS ss24

Everyone’s talking about Rachel Tashjian’s Washington Post deep dive into the cult-like allure of Zara.

From its 1975 Spanish origins to its current position as global gateway to high end aesthetics, it’s certainly the brand of the moment for those who aspire to The Row, Bottega, Loewe et al on a non-luxury budget.

Tashjian spoke to a number of A-list fashion creatives who have worked with or are working with Zara. Think Fabien Baron, Narciso Rodriguez, photographer Craig McDean, hairstylist Guido and even Linda Evangelista, who modelled for Zara’s collaboration with Steven Meisel last autumn. (more…)



Quote of the day: Rachel Tashjian, Into The Gloss



beauty items on bedside table

“The lighting is so great in there, and also, it’s frankly going people watching too. When you’re in that waiting room, everyone is wearing The Row and staring at their phones and trying not to be seen, but we’re not at the plastic surgeon—it’s okay, we can all relax! We’re drinking our lemon water and all hanging out together wearing our trousers.”
Rachel Tashjian, Into The Gloss (more…)



The ‘nouveau romance’ of Celine menswear AW21



Celine men winter 21

Chapeaus off to GQ’s Rachel Tashjian, who wrote this very astute critique of Hedi Slimane’s latest Celine menswear collection. And the brand’s overall current appeal.

“His clothing is probably the most intelligently merchandised stuff on the planet. He is making clothes to sell them, proving with every one of his choices why you need them…When you go into a Celine shop, or look at the brand’s e-commerce, you see something so clear and intelligent it might make you mad at other big fashion brands: a few perfect blazers, a leather motorcycle jacket, a leather blouson, a suede trucker jacket, and so on. All the pants are just right. The loafers, sneakers, and boots are just the kind you’re looking for when you don’t know what you’re looking for. Slimane is actually thinking about someone going into a store to buy clothing. What might they want?” (more…)