The highlight of couture week has been Balenciaga couture Fall 21. A tribute to the absolute essence of Balenciaga, it was both austere and grandiose, and I think it’s fair to say, surpassed everyone’s expectations.
Having kind of tuned out recent Balenciaga ready-to-wear collections (too hype-y, too meme-y!), I was enthralled by this first Balenciaga couture collection in 53 years. The minimalist silhouettes, (what a fab trench!), the space-age headgear, the jeans and tee treatment and the baublicious jewels. What looked like a crocodile skin skirt and trousers were in fact made from tiny pieced-together squares of leather. There were shades of Margiela (one of Demna Gvasalia’s most respected designers), McQueen and – to my eye – Raf’s Dior. (more…)
Kanye’s first Yeezy Gap jacket drooped last week, but is it any cop?
The single nylon puffer was the first piece from the much hyped ten-year project to appear as a pre-order on the U.S Gap website (to be shipped in the autumn). In bright blue, the voluminous $200 jacket wasn’t your average Gap fare. (Some memes compared it to a Smurf-coloured bin bag.)
Early reactions on fashion forums were mixed – 65/35 against I’d say. The 35% were quite emphatic in their enthusiasm, applauding Gap for giving so much trust and control to Team Yeezy. Gap even temporarily erased its entire Instagram feed save for one picture of the polarising item. At this stage, one could concede, what exactly does Gap have to lose? (more…)
Fashion week is officially all year long now. We’ve just seen another spurt of shows – from Celine, Gucci and Bottega Veneta (they had an event in a club in Berlin, while the rest of the city’s in a strict lockdown, and allegedly hired Soho House for the afterparty, kicking out existing residents – not cool!) – while other brands are doing smaller scale ‘activations’ and releasing their look books.
I’m very much into Bode at the moment and its unique way of telling stories through textiles. These Bode AW21 looks have the nostalgic charm of early Alessandro Michele for Gucci mixed with a Wes Anderson naivety without going full-on costume. It feels more real to me. (more…)
The three-part Hermès AW21 ‘show’ started in New York with a dance performance choreographed by Madeline Hollander. Impeccably scheduled, the live stream began with dancers sporting identical uniforms of turtleneck, pleated midi skirt and tall boots, performing elegantly rhythmic sequences and gestures expressing the heartbeat of “how New Yorkers move through the city”.
The live broadcast switched seamlessly to Paris, where we watched a runway show of models weaving amongst towers of orange cylindrical boxes, followed by a third act, live from Shanghai, choreographed by Gu Jiani. (more…)