In terms of sheer lust, Joseph is one of the shows I most look forward to at London Fashion Week. It’s the combination of easy, wearable silhouettes, plus inventive styling and perfect casting that results in a memorable show where you genuinely want to buy everything, not just admire from afar.
Joseph’s heritage lies in generously proportioned knitwear and 80s-90s layers, but modern Joseph is much more of a 90s-00s minimalist-masculine mash-up. (more…)
London designers are known for their youthful experimentation but they’ve becoming equally adept at delivering polished wearability. Day two’s highlights included Lucas Nascimento’s sheer, precision-cut layers (above and below), Joseph’s serene sportswear and Whistles’ luxe leather separates.
Even J.W Anderson surprised with extreme commerciality on his catwalk (combined with clever creativity of course), giving us that spring perennial ‘nautical chic’ his way, involving strategic cut-outs and rope details all accessorised with fetishy floppy leather hats. (more…)
Two days into London Fashion Week and, as with New York, the arctic temperatures are having a definite impact. Not just in what the guests have been wearing at Somerset House (rain ponchos and fur trims outstrip open toes), but on the runway itself. (more…)
All of a sudden, Brompton Cross is back on my radar. The Conran Shop is flourishing again (seriously, you can do all your holiday shopping there in one mammoth swoop), Joseph is getting better and better and there’s an influx of international fashion arriving.