“Friction-maxxing is not simply a matter of reducing your screen time, or whatever. It’s the process of building up tolerance for “inconvenience” (which is usually not inconvenience at all but just the vagaries of being a person living with other people in spaces that are impossible to completely control) — and then reaching even toward enjoyment.”
Kathryn Jezer-Morton, The Cut (more…)
A few snippets of digital ephemera and IRL recommendations I’ve enjoyed lately…
1/ The NEW YORKER AT 100 documentary is like The September Issue for smart people. My highlight was the lady drawing cartoons with a Rotring pen. So good you’ll want to watch it twice. (more…)
It’s no secret that Instagram’s strategy is pushing video content over carefully curated fit pics. The result? OG influencers are feeling rejected and dejected. After 10 years of rapid-growth followings lapping up their fashion recommendations (and clicking on their affiliate links), it’s understandable that Instagram’s star tastemakers feel unceremoniously side-lined, not to mention concerned for their future earnings. And there’s not much they can do about it. To paraphrase Francis Fukuyama, it’s the algorithm, Stupid!
The solution appears to be a mass exodus to Substack. (more…)
Max Pearmain and Alasdair McLellan’s Armani tribute portfolio in Arena Homme Plus is a fab reminder of the casual greatness of Emporio Armani and Armani Jeans (aside from Giorgio’s soft tailoring legacy).
Pearmain’s mix and mismatch layered styling is complemented by McLellan’s contemporary lens and Piotr Chamier’s casting and all are underscored by Ashley Heath’s editor’s letter (below) celebrating the decades-spanning appeal of the recently departed sprezzatura master. (more…)
