I feel a bit guilty saying this, but Alasdair McLennan’s story in UK Vogue’s September issue was my favourite. Even if, as a commenter on The Fashion Spot described it, “[it’s the] same editorial he’s been doing this entire decade”. (Ouch.) I know I should be raving about the Rihanna shoot or the Anton Corbijn shoot (which is lush) but sometimes I just want some tried and tested retro heritage candy, which this delivers. (more…)
I can finally feel myself being eased out of the winter doldrums, helped along by yesterday’s blast of winter sunshine and a rash of new March magazines spreading spring cheer. i-D Spring 18 is guest-edited by Charlie Porter, Elle UK March is a big spring fashion issue (that’s the kind of energy hit you don’t get from online’s second-by-second drip feed) and the next issue of WattsWhat magazine will be out in ten days featuring my profile of a brilliantly inspiring architect.
And then there are the Spring ad campaigns. Margaret Howell’s are always a treat, shot by Alasdair McLellan and classically styled in a way that makes you want to click to buy the whole look. (more…)
I always look forward to the Burberry LFW show but September’s show is going to be even better than usual. Christopher Bailey has curated a Burberry photography exhibition called Here We Are, celebrating some of our British photography greats. On display to the public from 18 September – 1 October it’s co-curated by Lucy Kumara Moore, director of Claire de Rouen Books and gives a hint to the theme of the autumn collection. (more…)
I’ve had Margaret Howell tailoring on the brain, after spotting a version of the above image on my favourite editorial throwback Instagram account, @Magazine_Fan. It’s a UK Vogue shot of Jeny Howorth by Peter Lindbergh from 1986, featuring a double-breasted jacket with structured power shoulders. Interestingly, thanks to the small houndstooth check and subtle colour scheme, it hasn’t aged too badly.
Thirty-ish years later, Margaret Howell is still turning out excellent suiting (more…)