Sorry to be a Peter Lindbergh bore but this new photo book looks like a total gem.
Only Lindbergh could persuade Dior to ship 80-odd couture outfits from its temperature-controlled Paris vaults to the streets of New York. The grimy streets of Times Square no less, where Lindbergh and his team shot his favourite supermodels street photographer style, sans the OTT hair and make-up that would normally accompany such finery on the runway for his book, Dior by Peter Lindbergh. (more…)
“This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.” Peter Lindbergh
How do you define the ‘Lindbergh’ look? I think I summed it up quite well here; soulful, expressive, with a slightly red-eyed, poetic vulnerability. The Lindbergh look “speaks of emotion and individuality, always letting the natural skin shine through.” (more…)
I’ve had Margaret Howell tailoring on the brain, after spotting a version of the above image on my favourite editorial throwback Instagram account, @Magazine_Fan. It’s a UK Vogue shot of Jeny Howorth by Peter Lindbergh from 1986, featuring a double-breasted jacket with structured power shoulders. Interestingly, thanks to the small houndstooth check and subtle colour scheme, it hasn’t aged too badly.
Thirty-ish years later, Margaret Howell is still turning out excellent suiting (more…)
My distaste of Instagram brows and ‘flawless’, matte-finish foundation can be traced to my early-90s initiation into beauty rituals. Although it was the decade of Kevyn Aucoin and his haute supermodels, it also saw the parallel (and arguably more influential) rise of Bridget Hall’s outdoorsy glow and Annie Morton’s morning-after-the-night before undereye shadow. (more…)