Favourite artist looks? I’ve had a few. Georgia O’Keeffe’s New Mexico minimalism; Warhol’s beatnik Bretons; Lucian Freud’s sweaters and Huntsman suits; not to mention Basquiat’s baggy 80s overcoats.
The New York Times has a great story about the rise of the artist as avatar. Namely, the merch-ification of artists, selling elements of their personal style – an Edward Hopper hat anyone? – alongside postcards in the gallery gift shop. (more…)
Two new initiatives on my radar in the repair and re-wear space.
Nike’s Re-Creation project upcycles deadstock and used clothing into new, lovingly crafted pieces where stains and holes are creatively transformed or carefully camouflaged (below). It’s not an entirely unique approach – lots of small start-ups have used this method – but the execution is more in line with my taste. (more…)
This week as I marinate in the damp, wind-battered streets of NW10, I’ve been reading all about the French mountain resort of Megève. In particular, the ‘chaletwear’ store AAllard that specialises in après-ski wear and whose founder Armand Allard actually invented the ‘fuseau’, aka the tapered, tailored stirrup pant that begat the stretchy ski pant as an early garment to tuck into ski boots. (When local ski champ Émile Allais wore them for his triple medal win in the 1937 world skiing championships, a trend was born.) (more…)
This week we’re starting to see the first coverage of the latest Louis Vuitton x Yayoi Kusama collaboration as the Cruise 23 collection prepares to drop in early January. It’s a huge collection and its design and execution are the embodiment of joy, artistry and artisanship.
It’s also super clever.
Yayoi Kusama is one of relatively few fine artists who can be considered almost as brands in themselves. (more…)
