Tag Archives: exhibitions
Get me to Paris and fast! Forget the Rue du Faubourg Saint-Honoré, the only luxury trinkets I want to see this month are safely ensconced in the Grand Palais for the just-opened Cartier. Style and History exhibition.
Amongst the 600-odd pieces of jewellery and 300 contextual objects (paintings, dresses, archive documents – oh my!) on display at this exhibition, there’s a focus on Jeanne Toussaint. Cartier’s head of accessories and later director of jewellery, her bold and clever work has been frequently referenced by modern jewellers.
This 1944 singing uncaged bird brooch represents the liberation of France:
I haven’t been to the Barbican’s Pop Art Design exhibition yet but it’s top of my list of things to do. Meanwhile, I have been to the new Christie’s Mayfair gallery space in New Bond Street which is currently showing When Britain Went Pop!
Oh. My! This is bloody good. Continue reading
David Bowie Is at the V&A was a brilliant trip down memory lane as well as a peek into the brain of the enigma that is Bowie. However much we see of him, do we really feel like we know the man? Apparently, he kept an archive of everything he had ever done from his early youth.
Every song lyric, sketch, photo, sleeve design was carefully stored for…what? He didn’t know at his early age that he would become an icon of his time, but I guess the ambition was there.
Looking at the vitrines curated by a cast of London creatives at the ICA Off-Site project, ‘A Journey Through London Subculture – 1980s to now’, it’s clear that a lot of people have also kept the ephemeral fragments that sum up their artistic journey. From flyers to Polaroids, to scratchy notes and stickers, what to some looks like old junk, is of intrinsic value, especially in the digital age of cloud storage. (When was the last time you printed out your iPhone photos?) Continue reading
Coming to East London this Thursday for one night only is the exhibition, ‘Fabulousity: A night you’ll never forget…or remember!’. Showcasing the previously unseen photos of the 1990s New York Club Kids by Alexis Dibiasio (think Michael Alig et al), the exhibition will travel to Milan in late September for Fashion Week, followed by the US & Japan. Continue reading
Ohhh be still my beating pop art love heart. Lisa Perry has a collection launching in September that beautifully reimagines the graphic goodness of Robert Indiana. As much as I love Andy Warhol and Roy Lichtenstein, their aesthetics have been well and truly rinsed by the fashion world. Indiana is still relatively untouched by fashion and it looks like Perry has done a respectful job in realising his typography and targets in her clothes and accessories. (I’m hoping the high street won’t kill this too soon with their bad replicas.) Continue reading
Showcasing the regal style of Diana, Princess Margaret and HM The Queen, it reveals the ‘rules’ of royal style throughout the decades. My favourite outfits are Princess Margaret’s 1950s gowns. As the most glamorous royal at the time, there was less pressure for her to wear British designers so she fully indulged in the likes of the plunging Dior hourglass gown pictured above (worn to her 21st birthday party in 1953) and the Marc Bohan for Dior fur coat, below… Continue reading
If you follow enough fashion movers and shakers on Twitter or Instagram, you have likely seen every piece from the V&A’s new fashion exhibition already. If not, Club to Catwalk: London Fashion in the 1980s opened last Wednesday and is well worth your attention. For those who lived through the 80s and early 90s, it’s a nostalgic meander down memory lane, but I think it will have more value for 21st century kids who want to experience the creativity and fabulosity of those hedonistic times.
Arranged on two levels, the ground floor displays some of the gems by celebrated British catwalk designers including John Galliano, Wendy Dagworthy, Antony Price and Michiko Koshino. The opening display case features the very same inflatable Mic
This mezzanine serves up a more contextualised display of 80s clubwear. There are outrageous swastika-print tops (by Rachel Auburn, loaned By Kim Jones), bodysuits with phallic protrusions (designed by James Montgomery and routinely worn to Tesco’s by its owner) and the sophisticated body-con dresses that managed to leave somethinhiko Koshino jacket currently hibernating in a trunk under my bed – a fine example of the theatrical pieces worn not just to clubs but for everyday peacocking. The ‘Club’ focus is up a flight of steps, which you ascend to be greeted with a mirror asking the legendary phrase ‘would you let you in?’ (This genius touch is in reference to the oft-quoted line doled out at the velvet rope to unfortunately attired clubbers by Philip Salon/Leigh Bowery/Trojan/Steve Strange – delete according to who’s telling the tale…)
What’s all this talk about craft fatigue? What a load of nonsense, I’ve only just got started! Some might say that the thrill of seeing the skills at the heart of the world’s most luxurious handbags, scarves and watches is starting to tire but I hope that’s not the case. I love getting the inside secrets to age-old processes and that’s exactly what you’ll get when you visit the Hermes Festival Des Metiers exhibition at the Saatchi Gallery. Continue reading
Yikes, where is the time going? This week is the last chance to see Lichtenstein – A Retrospective at Tate Modern and I managed to get my eye in fashionably late last week. If you love his classic dot artworks, this is a chance to see them in huge scale which is really not to be missed. Most people are familiar with the War and Romance era, the comic-book style ‘WHAMM!’s and melodramatic close-ups of women in distress. Continue reading
“It takes two years to make and two minutes to buy!” So says Kamel Hamadou, the affable communications manager of Hermès silk, hosting a rare tour of the company’s silk printing facilities in Lyon. Two weeks ago I was invited on a whirlwind trip to learn the many meticulous stages of making one of those familiar silk ‘carrés’ of which I’m the proud owner of a few, neatly folded and stored in their equally familiar flat orange boxes.
My most astonishing discovery? The utter complexity of printing involved in a silk scarf of many colours. The average scarf has around 30 colours, of which each shade has its own precise mixing process. The printing itself has to be seen to be believed, but next week, you’ll have the chance to see it all when Hermès’ Festival Des Metiers lands on the London leg of its world tour. Continue reading