designers

Trend Report: what to wear for SS22



CHANEL SS22 by Christina Fragkou

What’s new in fashion? Nothing much! What’s being reprised, updated, revamped, remixed? Loads. This spring it’s mostly about rehashing the 90s and 00s and what’s kind of scary is that ‘the 90s’ is now officially retro in the way the 50s was for me. It’s really quite terrifying interesting to see. (more…)



Camille Miceli, the super-influencer you’ve never heard of



Camille Miceli Elle USA Gilles Bensimon

I’m excited to see what Camille Miceli will do for Emilio Pucci as its new artistic director.

Among her resume highlights: Her first internship was with Azzedine Alaïa. She worked as a publicist for Chanel. She worked with Raf Simons at Christian Dior, overseeing jewellery including the – can we say iconic? – double ball earring. And she also worked with Nicolas Ghesquière at Louis Vuitton as creative director of accessories developing jewellery, shoes, bags, sunglasses, and more. Her plans for Pucci are apparently centred on “joy and well-being.”

Her first collection is expected in 2022. (more…)



Revisiting Omahyra Mota



“When I wear suits on the runway, when I’m doing a men’s show… I am not thinking that I look like a boy. [What] I am thinking the whole time is that I am just bringing the most in strength and expression; my eyes, the way I’m looking, the way I’m moving, it’s not more like a boy, it’s just strength, flavor, sauce, like swag.”

I love that Vogue has spotlighted the Y2K model Omahyra Mota, one of the most unique forces that modelling has seen in the last 20-odd years. There’s a fantastic gallery of her shows, reminding us not only of the timelessness of early noughties designers but how versatile her look really was. (more…)



Quote of the day: MaxMara’s Ian Griffiths on life as an 80s club kid



“It was completely non-establishment in the sense that the normal news, fashion media, major music entities, had no part in it at all. It was a time when the culture was being made by the kids that were living it. I think that was what was one of the most special things about it, that it was a self-generated, sort of self-owned culture.” (more…)