French Girl Style – it’s the aesthetic that just won’t stop giving. And with the Paris Olympics mere hours away, you’d better buckle up, as it’s about to become even more omnipresent. The reason French Girl Style aka garconne style resonates is its timelessness, its realness, and its rooted-in-utility-ness. Oh, and something else really important – culture.
And who better to illustrate this point than Agnès B? (more…)
“Access to this world is aspirational and offering a piece of it at a more affordable price point expands the customer base significantly. Now, the casual visitors over the weekend…can say they bought something at Art Basel and can signal their membership in the art tribe.”
Naomi Rea, Artnet News acting editor-in-chief, Vogue Business (more…)
As Ibiza season kicks in, I’m reposting my article for Faith Fanzine that was originally published in print last summer. It seems the heady, hedonistic days of 80s rave and club culture are never far from a fashion designer’s moodboard. As photographer and former Time Out clubs editor Dave Swindells celebrates his fourth print run of photobook, IBIZA 89 (above), we mused on what the scene symbolised and why it’s an eternal source of style inspo (more…)
Before The Row, Lemaire and Brunello Cucinelli, there was Calvin, Donna and best of all, Giorgio. A fabric meister, rigorous deconstructor (before Margiela), uber-minimalist yet (contrary to expectation) anti-perfectionist, Giorgio Armani is the godfather of what we now call ‘quiet luxury’.
Fantastic Man has a, well, fantastic deep dive on the man himself in its latest issue, as well as a mention of Made In Milan, Martin Scorsese’s 1990 mini-documentary, that gives us a delicious glimpse into Mr Armani’s influences and philosophies. (more…)
