Miu Miu

The pragmatic privilege of the understuffed bag



Chanel by Despi Naka

A few seasons ago, we romanticised the existential poetry of the overstuffed handbag. In 2024, it was kooky, chaotic, main character-coded but also… highly impractical. While I’m a chronic overstuffer (umbrella, multiple lip products, all of the pens – classic Virgo!) I’m also so over being encumbered (physically and psychologically) with all this stuff! Even men are at it with their ‘mine-is-bigger-than-yours’ ginormous commuter backpacks bursting with God knows what. (No really, what are they carrying in them?)

These days, I aspire to be like the street style ladies of Fashion Week, with their courtesy cars quarter-filled suede bucket bags, supple leather totes and soft baskets, telegraphing unburdened freedom and subsequent unbothered joy. And, no doubt, also free from coccyx twinges and ‘laptop shoulder’.
Marta Oldrini understuffed bag by Despi Naka
Cartier bag by Despi Naka
Despi Naka
Despi Naka bag
Despi Naka green bag
Marta Oldrini understuffed bag
Yellow Jil Sander bag by Despi Naka

Apparently, ‘the Gen Zs’ have fallen for the ubiquitous Longchamp Le Pliage tote* – a study in pragmatic product design if ever there was one. Me, I’m thinking Toteme’s floopy leather tote* (now on sale), Liffner’s soft bucket bag*, the underrated L’Uniform ‘cake bag’ (in cherry red canvas) or The Whitechapel Gallery’s Klein blue mini tote for local errands and coffee shop trips to accommodate just a newspaper, phone, sunglasses, keys and cash/cardholder. (Controversial: maybe I’ll even leave the phone at home!)

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WORDS: Disneyrollergirl / Navaz Batliwalla
IMAGES: 6 x Despi Naka; Marta Oldrini; 1 x Despi Naka
NOTE: Most images are digitally enhanced. Some posts use affiliate links* and PR samples. Please read my privacy and cookies policy here.



Ode to a revitalising scarf



The Sartorialist

I said a few weeks ago that I didn’t think Michael Rider’s Celine would radically change the way we dress. I still don’t, other than I think he’s succeeding in shifting the tyranny of ‘quiet luxury’ into a more colourful direction.

And one key way he’s doing that is with the silk square scarf.

Formerly Hermès territory, the Celine scarf feels more sporty, vital and graphic. Hermès scarves can also be graphic but there’s often a lot going on in them. (Some have as many as 47 colours, requiring 47 engraving films, as I once discovered on an Hermès workshop tour.) My favourite Hermès scarves were always the geometric ones I loved the Sugimoto (below), Josef Albers (below) and Natalie Rich-Fernadez’s Delaunay-esque ones of a few years ago. (more…)



Not your mother’s Versace



Versace SS26 by Dario Vitale

Oh, the Medusa head medallion-clutching at Versace SS26!

It was the most polarising Fashion Month debut so far and I get it. But in a way, polarising is good.

Let’s break it down.

After a few very campy Instagram teasers, the show itself (the first from new creative director Dario Vitale) was a much younger, messier, some say Miu Miu-coded affair. (more…)



It’s a Tod’s (and Miu Miu and Margaret Howell) Girl Summer



With Nothing Underneath seersucker shirt

Confession: For the last few years I’ve avoided buying ’summer’ clothes. It’s not worth it; it’s never consistently warm in the UK, so the effusive enthusiasm with which you might buy shorts, sleeveless dresses and sporty tanks in April dissipates into a tragic puddle as the weeks sail by.

There’s a middle way though. This year I’ve discovered my inner (city) beach goddess. It’s one part Tod’s wealthy Milanese nonna, one part Miu Miu SS24 Gen Z Yacht Girl Summer (below) and one part Margaret Howell-clad beachcomber (think more Cornwall than Capri). (more…)