Trend report: What to wear for SS23



WWD backstage at Jil Sander SS23

Let’s say it now, there’s not a lot of newness around at the mo. The world’s in flux, designers are scared for their jobs, no one’s taking risks and the big brands especially just wanna sell. Who can blame them? BOF’s Angelo Flaccavento was maybe a bit harsh with his ‘clothes to die from not for’ (lol) summing up of MFW SS23, but he had a point. It’s a commercial season, so let’s just get that out of the way. Honestly, I’m not sad about the black-everything revival, I can’t complain about the loafer love-fest and as a New Luddite, it’s great to see women’s watches in the spotlight. Read on for my round-up of what I’ll be wearing and doing this season… (more…)

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See this: A Hard Man is Good to Find!



A Hard Man Is Good To Find - The Photographers Gallery - Keith Vaughan Highgate Men's Pond Album 1933

Another new London exhibition worth your attention. A Hard Man is Good to Find! at The Photographers’ Gallery is a brilliant little history lesson of queer photography of the male physique, surveying the years when making or distributing imagery of male nudity was illegal in the UK.

Centred on key areas of London – Highgate, Chelsea, Brixton, Pimlico, Portobello, Euston, Soho – it explores some of the ways that photographers would go about scouting modelling subjects. For example, a concentration of fit young males around the army barracks of Pimlico would result in images of partially uniformed men, including some fabulous styling. (more…)

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The culture of fashion: AKILA x Keith Haring eyewear



AKILA x Keith Haring eyewear Paradise red

What’s the deal with all the Keith Haring collabs? The FT has the answer to all my questions here (pay wall), looking at the legacy of Keith Haring as an activist and accessible artist who coined the phrase “art is for everybody”. The company responsible for the never-ending list of collabs (Uniqlo, Primark, Junya Watanabe and Coach among them) is Artestar. The licensing agency also represents photographers, designers and creatives, and its success highlights the merchification of culture in the modern age.

But this latest Haring collab isn’t just a print slapped onto a tee. (more…)

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See this: Baldwin Lee, A Southern Portrait, 1983-89



Baldwin Lee DeFuniak Springs Florida 1984

“I would approach my potential subjects, explain in as detailed a manner as possible what I had seen, and ask for permission to take a photograph. Of course, small talk — where was I from, who would see the photograph, why I selected them — would sometimes ensue. Often permission was granted with no discussion at all. Looking is a two-way street. Not only is the photographer looking, but the potential subject is looking too. What the subject sees carries great weight. For some reason, people would see me positively. I am not sure if it was my race, gender, physicality, dress, demeanor, or anything else. If in a day I asked twenty people for permission to make photographs, nineteen would say yes.”
Baldwin Lee (more…)

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