A must-watch film if you’ve never seen it, the 1996 Richard Avedon documentary, Darkness and Light is pure escapism.
If you only have five minutes, watch the scene at around 21 minutes where Polly Mellen describes the legendary Nastassja Kinski Vogue shoot (above) involving a serpent’s kiss. Her storytelling is almost as dramatic as the shoot itself. (more…)
“Working on the same parts of the body all the time is not frustrating. It’s like metonymy. In fashion, shoes have a very particular status. The foot is at once the most scorned part of the body – people don’t like to show their feet – and the one it’s tempting to use the most flamboyantly, and sometimes, too, in the most artificial way. There aren’t many things more remote from anatomy than a court shoe. It’s an absolute anatomical aberration.”
Former dancer and Hermès shoe designer Pierre Hardy in conversation with choreographer, Boris Charmatz, Le Monde d’Hermès magazine
WORDS: Disneyrollergirl / Navaz Batliwalla
IMAGE: Pierre Hardy
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I just picked up my copy of the much-feted Vogue Italia illustrated issue. The idea is that by having all the fashion editorials illustrated, rather than expensively shot on location, not only would Vogue Italia lighten its carbon footprint, but the money saved would be donated to help restore the Fondazione Querini Stampalia in Venice, recently damaged by the floods. While some considered this a cynical greenwashing gesture, I think every little helps. Plus I love fashion illustration (even more so, magazines without pesky coverlines!).
But for a more in-depth fashion magazine that’s spotlighting creative sustainability, look to More or Less magazine. (more…)
As much as I loved loads of Stella Tennant’s ‘punk’ looks in the 90s (flashback to all the Corinne Day and Melanie Ward goodness in Donna and Vogue Italia), I’m really enjoying her grown up ‘gentlewoman style’ modelling too. (more…)
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