Opening today at the ICA is Juergen Teller’s ‘Woo’ exhibition. I’m desperate to see it, in particular his landscapes that I’ve only recently discovered. Here’s a clip I found (above) of him shooting Helena Bonham Carter with his two Contaxes. And here’s another one (below) of him shooting Kate Moss. (Venetia Scott makes an appearance too)… (more…)
Can you forecast next season’s trends based on three days in one city? A little. Two stood out for me at London Collections: Men this week – neither very surprising. Menswear trends are a bit more predictable than womenswear because (as a rule) men like to shop for the familiar rather than the new. So we saw a ton of youth subculture references, plus many nods to Great British heritage and manufacturing. (more…)
This is showing at the Hayward Gallery Project Space from 14 September – 24 November 2012. An exhibition of raw punk graphics which still have an impact 40-odd years later, there’s an accompanying Rizzoli book: PUNK: An Aesthetic by Johan Kugelberg and Jon Savage. From the press release: (more…)
Two weeks ago, while searching my poor, overloaded inbox (14,000 emails and counting, no time to even think about pruning them) for an email from Blitz London, I rediscovered one from The Blitz Kids. This site is a charmingly rough-n-ready resource for ’80s club culture-related info and photos – from Boy George to Lizzie Tear to Anna Piaggi. While reacquainting myself with the site, I clicked the link to Graham Smith and Chris Sullivan’s Unbound book project.
The book, We Can Be Heroes, boasts thirty years of punk and post-punk photo imagery by Graham Smith that until now has been languishing unloved in an attic. Ain’t that always the way? Coming to his senses and realising the value of these negatives (negatives! not even contact sheets!), Smith contacted fellow scenester Sullivan to add his wordy recollections to these evocative images, which are now being published via crowd-funding site Unbound.
There’s been a bit of a PR push, with a radio interview with Robert Elms and a Boy George article in The Guardian. Being kids of ’76, it made perfect sense that Smith and Sullivan would go the DIY route to getting their book published – wasn’t that the whole ethos of punk after all? So I have pledged my £30 to make this project happen. Not least cos it will be a bloody good read.
