Who doesn’t love a Saffiano leather bag? And a Kurt Geiger one at that? That’s a hypothetical question of course, these textured leather totes have helped contribute to blockbusting sales for Kurt Geiger, thanks to their classic proportions, agreeable price and durability. (Ever seen a scruffy looking one? Me neither.) To celebrate our love for the Saffiano tote and coincide with Valentine’s Day, Kurt Geiger has come up with a design project with the second year BA accessory design students at Cordwainers at London College Of Fashion. (more…)
Something new for London Fashion Week this season: the addition of the London College of Fashion MA show. I usually have an aversion to student shows (they just end up being soooo long), but in this case, a concise edit of ten graduates was speedily delivered. (more…)
Bam! That’s the sound of London Fashion Week going off with a bang. Well it did for me, because my first show was London College of Fashion’s MA show – its first as part of LFW. The show was edited to the ten strongest collections, of which my favourite was from Na Di, a menswear graduate whose punchy printed tailoring mashed up traditional references with hiphop attitude. (more…)
Five months ago, BON magazine commissioned me to write about 3D printing and its potential impact on the fashion industry. The best bit was researching it (with some great help from Jen Eleto). I got some incredibly generous insights from the likes of Dutch product designer Sjors Bergmans who made the first wearable 3D printed shoes, Chris Norman, CEO of 3D printing company Kraftwurx, and Peter Hill who runs the fashion digital studio at London College of Fashion. During my interview with Ron Arad, he disappeared to unearth some 3D printed earrings from the back office of his studio. They were made nine years ago – “the first 3D printed consumer accessories”, according to him.
I also spoke to legal expert Kenneth Mullen and commercial strategy consultant Ceci Guicciardi to get their views on how the ease of 3D printing in future will affect copyright laws, while LCF’s Peter Hill even let us use the LCF 3D printers to make some possible designer ‘fakes’ – with interesting results. (Conclusion: it’s early days for this technology but it’s developing fast.) The article has just been published and has had a good response. Some people are calling 3D printing the third industrial revolution, but if you still think 3D printing in fashion means creating 3D textures on a T-shirt, then maybe you need to go to 3D Printshow at The Brewery in Clerkenwell this weekend. (Admission is £19.95 and boooking is advisable. Info here.)
The full article can be found in BON magazine, out now…
UPDATE: You can read an edited version of the article on Business of Fashion
