Art, fashion and retail had a very cosy relationship last week. In particular, I discovered an ambitious London pop-up concept – with a difference. As the cashed-up art-fashion crowd descended on the city for Frieze Week, positive impact brand, Maiyet launched its monthly pop-up, Maiyet Collective in Conduit street.
It’s quite the insidery affair, hidden on the first floor of a new private members’ club with little chance of passing trade, plus it’s only open three days a month. But what a fabulous surprise when you venture inside. (more…)
Net-a-Porter is embracing hype commerce with gusto, and I’m conflicted!
These short-term ‘online pop-ups’ are a way to get people shopping instantly (deliberate and be prepared to kick yourself later), a kind of fast fashion for the luxury brigade. I’m generally against that mindless consumption behaviour, but hear me out!
Net-a-Porter’s latest pop-up is from GabrielaHearst, whose tailoring is widely coveted by the kind of cool executive women who also love The Row,Celine Phoebe Philo and Hermes. But this is all about her bags. (more…)
I saw this brilliant Keith Haring painting (‘Untitled’) last week at a preview for the Christie’s Post-War and Contemporary Art evening auction. It was painted in 1984, the beginning of the Mac computers era, and the pyramid with the raised hands underneath is supposed to represent the idea of the false worship of technology. How prophetic! (more…)
I didn’t go to that many London Fashion Week shows this season. Unless you’re writing daily roundups, there’s really no reason to attend back to back shows when you can watch most of them on Instagram Stories. The exception is super-dramatic shows (Ashley Williams and Burberry sound like they had the best music) and shows where I’m personally invested in the brand.
Margaret Howell ticks that box for me in the mode of a couture client mentally ticking off the pieces I’m going to order. (more…)