Have to agree with catwalk critic Sue Evans, who commented on my earlier pondering to say that Molly Goddard’s SS21 collection was a strong expression of optimism and joy. It was her strongest yet, I thought, with commercial colour-block graphic knits and jerseys styled with her usual explosion-in-a-tulle factory froufrou skirts. (more…)
When the show notes say the collection is about people who live for the weekend, you know the music is gonna be good. For SS17 Molly Goddard took us on a nostalgia trip to 90s New York rave culture, as documented by Nick Waplington in his recent photo book. (more…)
Is there any point in doing daily LFW roundups in these days of Instagram coverage and watch-it-yourself Periscope shows? Hell, yes, if only for the reason that it reminds me of what I’ve seen when it comes to pitching to clients in six months three weeks time.
I’ll admit I’ve been easing into LFW slowly for the first two days, but I’ve already seen lots to whet my SS16 appetite. Happpily, I’m noticing a lot more colour and joy, bringing us out of the #liveclean minimalism we’ve experienced for so many seasons, into something more energetic.
Such as Le Kilt on Friday. I like what Sam McCoach does as a creative director. Her vision is believable and all-encompassing, from the casting to the venue and set design, to the music. (more…)
In these days of Insta-journalism, a fanciful theme is a gift to the time poor and attention-deficit. It helps tell the story of a collection which is what selling clothes is all about. And our young female designers are particularly adept at it.
On the first day of London Fashion Week AW15, we saw evocative tableaux styled as an art class and a gossipy teen gathering courtesy of Molly Goddard and Le Kilt respectively. Meanwhile, Shrimps gave us beautifully vacant aliens landed on a glittery planet surrounded by stalagmites. (more…)
