I’m liking the sound of Costa Brazil, the new sustainable beauty brand by – who’d have guessed? – Francisco Costa.
If you remember, he was ousted as women’s creative director of Calvin Klein to make way for Raf, but this art-meets-beauty concept (partly inspired by artist Piero Manzoni) has apparently been on his mind for a while. “The last three years at Calvin were nothing but brutal. I felt liberated to do something new, and I already had this in mind. It switched the energy positively,” he told Vogue.com.
Core to Costa Brazil is a super-ingredient, Breu, a sweet-smelling resin that comes from the Almacega tree (more…)
“I think you should have some hostility toward the public. I painted nice pictures in the ’50s, and people didn’t like them. So I thought, ‘I’m going to stick a big face of my wife in your living room and it’s going to kill everything, and you’re going to have to throw out some furniture.’ ”
Artist Alex Katz on not giving the public what they (think) they want, FT (reg req). (more…)
I saw this brilliant Keith Haring painting (‘Untitled’) last week at a preview for the Christie’s Post-War and Contemporary Art evening auction. It was painted in 1984, the beginning of the Mac computers era, and the pyramid with the raised hands underneath is supposed to represent the idea of the false worship of technology. How prophetic! (more…)
Pyer Moss isn’t a household name but Robin Givhans’ Washington Post write-up spells out all the reasons why it’s the standout show of NYFW so far. Designer Kerby Jean-Raymond coralled a number of messages into one important and fantastic collection that I predict will be snapped up by buyers and collectors instantly.
As Givhans describes, Jean-Raymond expressed his vision of American blackness, not as ‘other’, but in the everyday sense of black culture. (more…)