This week at London Fashion Week, I’ve been on the hunt for colour as part of an editorial collaboration with LFW partner Swatch. If you follow me on Twitter, Instagram, Facebook or Snapchat, you’ll have seen the mentions popping up alongside a trio of new season Swatch watches and the #Ialwayswantmore hashtag.
Personally, my default colours are navy, grey and camel, plus denim of course (hey, blue is a colour). Red and pink get the occasional look in (more…)
What I wore: this Joseph mohair colour block jumper, on loan from Mywardrobe.com with my favourite Joseph Queen trousers and John Moore boots. This jumper might never make it back to its press office rail…
It’s day two of LFW AW10 and I’m already dead beat. Someone get me a stamina sandwich please! The good news is that there is a fantastic optimistic atmosphere. Whether it’s due to the weather or the new venue, everyone is in upbeat mode! Day one saw Joan Collins pitching up bright and early, obviously loving all the shoulder pad action going down in the collections. I was thrilled to see Yang Du (below) finally show on a catwalk – her cartoon stripy T-shirt dresses and knitted tiger bags were so graphic and poppy. I must say, it was bloody hard watching shows, getting designer quotes and filing copy for The Daily (practically all at the same time) but I managed to pull it off by the skin of my teeth. Today was an easier ride beginning at Mark Fast. I’d heard a rumour that he would be sending out (gasp!) plus size models and he did. Opinion was divided on whether this was a good move. His original stylist refused to work with ‘big girls’ so he had to cast at the last minute. Unforch, size 14 models aren’t usual catwalk material so his girls weren’t brilliant at mastering the catwalk strut. Hey ho. That aside, the collection was brilliant and OMG, the suede ruffles were beauties.
Mary Katrantzou showed back-to-back with Mark. More cleverly thought-out shapes plus Mary had developed her glass bottle prints into something slightly more abstract and freeform. I loved the painterly eye make-up too.
The Kinder Aggugini show was the big WOW. I earwigged on a post-show conversation with Hilary Alexander and set-designer Michael Howells as they each took turns to say an exclamatory line.
“Sensational!“
“He’d be perfect for Ungaro!”
“Haute couture!“
“If he’s not snapped up within the year…”
“…you’ll eat your cigarette!”
I can never quite decide about Kinder Aggugini (OK, I didn’t like it) but I loved the Louise Gray presentation. There was collagy layering and art-school patchwork, hot pinks and blues, more colourful crayon make-up and DIY accessories fashioned by Judy Blame. And the DIY aesthetic extended to the decoration of the space – fluoro spray paint (a la Madonna’s Borderline video), gaffer-taped signage and even Louise’s own grafitti’ed laptop.
Ashish as usual was a riot of sequins and colour, this time with a holiday theme. Nike tick sequin tees, flamingo motifs and the Beach boys all added up to vacation, vacation, vacation.
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