Magazines

Yay or nay: 90’s feather cut



90s feather cut Sara Blomqvist at Viva

Just spotted this image of model Sara Blomqvist in The Gentlewoman magazine. I’m not at the cutting my own hair stage yet, but I’ve been hankering for a change on the coiff front. I like this soft messy cut.

When this cut emerged in the 90s I hated it as it was a throwback to the 70s. (If you lived it the first time, etc…) But the 90s take was minimalist and a bit grungy. Adding it to my Pinterest short hair board while I continue to ponder and grow my fringe….

WORDS: Disneyrollergirl/Navaz Batliwalla
IMAGE: The Gentlewoman
NOTE: Most images are digitally enhanced. Some posts use affiliate links and PR samples. Please read my privacy and cookies policy here

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Into this: Emily Adams Bode’s abode



Emily Bode Architectural Digest

Top of my dream interiors list this month is the abode of Emily Adams Bode (of Bode patchwork jackets fame) and Aaron Aujla in Architectural Digest. All warm wood panelling and rustic textiles, it’s a very cosy iteration of Bode’s fashion brand that won the CFDA’s 2019 Emerging Designer of the Year Award.

My eye went straight to the doodled corduroy sofa and wood pannelled bathroom (more…)

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Escapism



Richard Avedon Nastassja Kinski and the serpent

A must-watch film if you’ve never seen it, the 1996 Richard Avedon documentary, Darkness and Light is pure escapism.

If you only have five minutes, watch the scene at around 21 minutes where Polly Mellen describes the legendary Nastassja Kinski Vogue shoot (above) involving a serpent’s kiss. Her storytelling is almost as dramatic as the shoot itself. (more…)

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Quote of the day: Pierre Hardy



Pierre Hardy

“Working on the same parts of the body all the time is not frustrating. It’s like metonymy. In fashion, shoes have a very particular status. The foot is at once the most scorned part of the body – people don’t like to show their feet – and the one it’s tempting to use the most flamboyantly, and sometimes, too, in the most artificial way. There aren’t many things more remote from anatomy than a court shoe. It’s an absolute anatomical aberration.”

Former dancer and Hermès shoe designer Pierre Hardy in conversation with choreographer, Boris Charmatz, Le Monde d’Hermès magazine

WORDS: Disneyrollergirl / Navaz Batliwalla
IMAGE: Pierre Hardy
NOTE: Some posts use affiliate links and PR samples. Please read my privacy and cookies policy here

CLICK HERE to get Disneyrollergirl blog posts straight to your inbox once a week
CLICK HERE to buy my book The New Garconne: How to be a Modern Gentlewoman

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