Design

Koto Bolofo’s clothing collection



I have been waiting for the right moment to mention photographer Koto Bolofo’s fashion collection and now seems a good time. Inspired by and utilising found objects, clothing and textiles, I discovered it on the Wonderland blog and love his description of it here:

“It has a lot of relevance to now in the sense that in this “modern” world one does not seem to be really going forward, but going forward in creating disposable art and items, here today gone today. I feel society is led into not taking their time in looking at what is really good, but rushed into what is so called “next”.

“My inspiration is created from found objects that hold memories from the past and with this I try and find a contemporary way or “switch” to bring it into the present. I could be using combinations of old and modern fabrics. For example there is a long tail coat which comes in baby blue cotton velvet. The special thing about this tail coat is the interior which has a genuine unused vintage British Union Jack which bears the face of King Edward from the thirties. This is stitched to the inside of the tail coat. There are 6 flags that I found at an antique market and were never waved by the patriotic crowds due to the fact that King Edward gave up the throne of Great Britain. Only 6 tailcoats will be made, hence making this a collectible garment. All these pieces in the collection have a story to tell and my aim is to bring this forward. My nature is that I like good design that lasts and has this respect of really understanding the word timeless.”

Check out these pictures:
Koto Bolofo clothing



Images via Wonderland and Chewing The Cud



Earl Grey and Architecture: inside the Le Corbusier Cabanon



Le Corbusier Cabanon RIBA 2009

To say Thursday was a whirlwind of activity would be an understatement of preposterous proportions. As well as press days, the Alexandra Shulman FBC talk, a whizz across town to a digital lab and an ICA charity gala dinner, I somehow managed to cram in tea at the RIBA.

The Royal Institute of British Architects is a building I have passed dozens of times but never had time to venture inside. Big mistake. Aside from its elegant interior and charming cafe (where we had tea and brownies surrounded by textbook architects complete with Mac laptops and Moleskine notebooks) we browsed the Le Corbusier exhibits which comprised various classic chairs, tables and sofas from the Cassina I Maestri collection.

On the first floor was a reconstruction of the famous Le Corbusier Cabanon. The architect designed and built this sexy little hut in 1952 as a holiday home for him and his wife Yvonne in Cap-Martin. The outside is pretty basic and anonymous while the interior is widely recognised as a superb example of micro architecture. (Did I impress you with my knowledge there? Don’t be fooled, I totally read that in the notes. However, I’m determined to sneak the phrase ‘micro architecture’ into everyday speech…)

After donning the comedy showercap-chic shoe covers, we explored inside the Le Corbusier Cabanon and took a few sneaky snaps. You would never think to look at this now, that it was designed over half a century ago. All its nifty nooks and crannies and built-in storage ideas are now commonplace in day-to-day living but were the height of innovation 50 years ago. The building itself is not that big (15 square metres) but you really get a sense of space and function. This Le Corbusier mini-exhibition is on until 28th April so if you like a bit of culture with your elevenses, I highly recommend the RIBA (and the bookshop is rather tasty too).





Le Corbusier Cabanon



Cool to be kind



Had enough of killer heels that you can’t walk (let alone dance) in and handbags so heavy that even She-ra would have trouble lifting them? Me too. But hang in there because the totes they are a-changing. After the giant bag trend came the absurdity of the superclutch and then the even more ridiculous micro-clutch. But now designers have finally decided to give us something that we actually want: lightweight, roomy and practical bags that do a job and look good.

Mulberry’s creative director Emma Hill is at the forefront of the movement, telling Vogue, “When I pick up a bag that’s heavy when empty, I don’t want it,” and creating a line of lightweight bags for spring-summer devoid of weighty hardware. Alexander Wang’s soft-n-slouchy suede Dorothy sac (below) marries his signature laidback luxe look with a utilitarian twist – my litmus test is whether it will take a copy of Vogue as well as my umbrella, diary, sunglasses and purse without slopping out of shape like an unwieldy sack of potatoes. It passes with flying colours.

The luxury leathergoods-makers Valextra are keen to join the party. Valextra have softened the lines of their trademark bags and introduced the half-moon Namasté which weighs in at a featherweight 600g and can carry up to 15kg without putting your back out of whack. “We worked on it for months to balance it so the weight falls on your hip,” chairman Emanuele Carmiati Molina told the FT, “We threw away over 25 prototypes”. (The price is also less painful at under €1000, that’s cheap for Valextra.)

Not to be outdone, everyone’s favourite Marc Jacobs muse, Sofia Coppola has unveiled her capsule collection for Louis Vuitton consisting of predictably fuss-free day bags and classy clutches. She also rejected the first prototype for being too heavy, finally signing off a collection that is classic, chic and ultimately useful.
Now to swap those plat-heels for something a little more manageable, perhaps these Sofia-for-L-V wedges for starters…

Pics:
Alexander Wang, Dazed Digital, The Fashion Spot


The Convenience Store




No sooner has one caught one’s breath after the razzmatazz of fashion weeks left, right and centre does launch season begin with a zillion different shop openings, high summer previews and A/W press days. In the fortnight ahead I have another Joseph shop relaunch to attend (poor me), press days for Harvey Nichols, Paul Smith, Lulu Guinness, Swarovski, Blow PR and so on and so forth. That’s not including the flood of invitations set to arrive next week for the rest of the press days or the Fashion Business Club talk with Alexandra Shulman I’m attending on 26th March.

On Thursday night it all kicked off with the launch of the clever new pop-up shop by The Convenience Store. The Convenience Store is taking a three-week sabbatical from its home in West London (next door neighbours to Rellik vintage store to be exact) and has taken up residence in the chi-chi environs of the St Martins Lane hotel.

What caught my eye? Ooh, where to start? Wonderful shoes by Camilla Skovgaard (those are her legs and sexy shoes below. If you think they look hot, you should see her face!), raunchy Pam Hogg catsuits, T-shirts and credit-crunch-friendly mugs, sequinny sportswear by Sophie Hulme, lots of lovely Ann-Sofie Back and A.F Vandevorst and plenty of Gareth Pugh including a ventilated armour dress which one commentator was overheard unkindly referring to as looking ‘like an airconditioning unit’, meow!

Everyone was networking like crazy – I have never been given so many business cards – and bemoaning the state of the industry. It was quite nice in a way as everyone is in the same boat and not bothering to hide it. There was a good flow of champagne, much gossip and laughter and a great procession of fashiony characters including Fred Butler, a rosy vision in head-to-toe pink, Pam Hogg, Steven Rellik, various mums-of-designers and handsome blogger Pelayo with the most perfect quiff ever. Topics of conversation: Blogging, men in skirts, Twilight the movie, Starlight Express the musical, soulful house clubs, street parties, press day goody bags and the price of toothpaste. You can’t buy toothpaste at The Convenience Store but you’re in for a treat if you’re after cutting edge, collectable fashion.

The Convenience Store is at the Front Room at The St Martins Lane Hotel, 45 St Martin’s Lane, WC2 from March 19th-April 9th

www.theconveniencestorefashion.co.uk