Attention preppie obsessives. That once-elusive bible of all things collegiate is finally, finally about to be reissued. Yes, I’m talking of Take Ivy, the holy grail of sixties menswear eye candy by Japanese photographer Teruyoshi Hayashida and co-authors Kensuke Ishizu, Toshiyuki Kurosu and Moto Hasegawa. Long out of print, Powerhouse Books is reissuing the title in the US in August and in the UK in October for a reasonable £17.99 ($25).
To whet your appetite, check out these few photos on A Continuous Lean, or if you’re a real cheapskate, check out these scans of the entire book.
As if that isn’t good enough news for those who favour a button-down shirt, ankle-grazing chino and Bass Weejun loafer, Rugby.com reports that The Museum at the Fashion Institute of Technology will be hosting an exhibition on the Ivy League look in 2012. Looks like preppie-chic is set to run and run…
Today sees the launch of Elle UK’s Shopgirl to Stylist talent contest. Billed as the fashion version of X Factor, it’s a six-month long contest in which wannabe stylists working in fashion retail can submit pictures of their styling efforts online to be judged by Elle readers and the Elle team. The prize is an internship at Elle and the chance to style a shoot. The interesting bit is the contest itself whereby finalists will have fashion challenges to complete, mentored by members of the Elle fashion team, as well as a one-to-one grilling by editor Lorraine Candy.
The online aspect of the contest is timely (it was launched at a bloggers’ briefing during LFW). Readers will have the opportunity to ‘love heart’ the stylist’s entries they like, comment and share their profiles via Facebook and Twitter. In this age of street style blogs and check-out-my-style websites like Lookbook.nu, it’s a canny move to get the readers involved via social media. “We’re excited to be involving our readers in our first ever search for the UK’s hottest styling talent and really looking forward to receiving their comments on the entries they love to help us choose the overall winner,” said Marcy Richardson, Elle’s digital marketing manager.
In a similar vein, Benetton has also utilised the online community in It’s My Time, an online model competition. Like Burberry’s Art of the Trench site, there’s something very compelling, even addictive about looking at and commenting on recently-uploaded pictures of fashion-conscious people – it’s all very relatable and who doesn’t love to voice their opinion in public these days?
F-f-f-freezing. Excitement and anticipation >>> Blogger meet n greet >>> Minute’s silence for McQueen >>> Yasmin le Bon fangirl moment >>> Liberty London Girl’s Mercedes blogmobile >>> David Koma’s ziggy zaggy Debbie Harry dresses >>> Bodyamr’s hot models >>> Bodyamr’s hot collection >>> Frantic copy filing >>> All about Hakaan >>> Ftape’s Volt/Swarovski Crystallized party >>> Katie Eary’s killer shoes >>> Fred Butler’s killer Volt magazine cover >>> A singer called Misty Miller >>> Cadbury’s Dairy Milk for dinner >>> Glass magazine launch party >>>Moanathon about flaky PRs >>>
New York Fashion Week is in full flow and London Fashion Week kicks off on Friday. For the designers, months of caffeine, sweat and tears will culminate in a 15-minute crescendo. But who and what are they for?
Back in the olden days, the shows were elite salon events attended by super-rich customers and the fashion press. As time went on they became larger productions, with more editors and buyers witnessing bigger spectacles. More recently, press-hungry celebrities realised fashion shows made good photo-ops and designers (or their publicists) realised that those same celebs could get publicity (leading to sales) for them. Fashionista.com recently reported that celebrities like Chloe Sevigny and Mary-Kate Ashley can get paid five figure sums by designers to show up in their front rows – and there we were thinking they did it for the love of a Balmain harem pant. As if!
And now we’re in the age of the live-streamed show where anyone can watch the show from their couch or desk, or even Times Square if you’re an Alexander Wang fan. Fashion Week is tough on fashion editors. It’s not all champagne and air-kisses, there’s a lot of running around, a hell of a lot of waiting, plus in between, the trips back to the office to attend planning meetings and sign off page proofs. Eating and sleeping rarely factors. Oh to be able to sit in the office and watch it all online like everyone else! Could this happen?
Alas, not for a fashion editor. Because the days of attending the show purely to report on the clothes are long gone. These days, a fashion show isn’t about what’s on the runway at all but the ‘show’ happening front of house and backstage. The show isn’t just the models on the runway, it’s the celebrities, the editors, the backstage crew. It’s the overheards, the atmosphere, the hullabaloo. Social media has changed Fashion Week in the space of one season. WWD published an article on the influence of social media at fashion shows and reports that some brands now have as many as 40% of bloggers taking up press head-count. Those designers embracing social media (live-streaming, tweeting, blogger-courting) are also doing more to show the backstage and pre-show buzz. Marc Jacobs’ president Robert Duffy has spend the last two weeks Twitpic-ing model castings, set-building and other insights into the Marc Jacobs show build-up.
So are fashion shows morphing from exclusive industry-only events to become more of an entertainment thing? Yes indeed. It’s all about the marketing and commercial opportunities now, brought on by both the recession and the online revolution. The next stage is brands opening up to the public who in turn will, hopefully, open their wallets. On February 18th Diane Von Furstenburg puts on a separate show for Amex cardholders from which the $150 ticket price goes towards Amex’s $250,000 donation to the CFDA/Vogue Fashion Fund. Guests will watch models present the spring-summer collection and theoretically rush to buy whatever tickles their fancy in store shortly after. Meanwhile Proenza Schouler will make their AW10 handbags available to preorder online immediately after their show.
In this new era, old school fashion editors won’t like being lumped in with the ‘civilians’ but while the majority of brands can see the worth of going public, a few are still resistant. ‘We believe that luxury breaks down when access is in excess,’ Luca Luca president Yildiz Blackstone told WWD. My guess is that in time, there will be a split, perhaps with Fashion Week as we know it being used for entertainment and commercial purposes, and a spin-off being created for the trade press and buyers.
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