A funny old day



Any stylist or fashion editor will tell you that no two working days are the same but I usually think that’s a load of guff. I mean, there are some days when you don’t leave your desk – a constant torrent of emails to be answered, samples to chase up and appointments to make. Then other days consist of solid appointments to call in clothes, possibly interspersed with a press day or two. But today was a different kind of day. It began at 10am with a car sent by the BBC to pick me up as a guest fashion expert on the radio. I had a lovely amiable chit-chat with the driver who was celebrating his 27th wedding anniversary (kudos!) then spent the next hour taking live quickfire what-to-wear questions from the radio listeners and giving no-nonsense advice. It was exhausting but great fun. Even though I’m opinionated on here, I’m not usually one to dictate ‘wear this but don’t wear that’ but that’s exactly was was wanted, so instead of gently suggesting ‘maybe add a statement heel’ I had to get a lot tougher and bark things like, ‘lose that waistcoat love, it’s naff!’

That was followed by a few nibbles and a gander at the Net-A-Porter Cruise press day at the St Martins Lane Hotel. The highlights were Mint’s neon-pink pailette shift, Phillip Lim’s puff-sleeved military jacket and Richard Nicoll’s luxe, T-shirt shaped dress. New to the NAP stable for Cruise 09 are Preen, Lover and See by Chloe shoes.

Nearby was The Photographers’ Gallery so I took the chance to check out the Fashion in the Mirror exhibition, small but nicely put-together (but I’ll do a separate post about that). Of course, I spent more time in the bookshop than taking in the exhibition but who’s complaining – I bought a novel little photo book called Prom Night by Elissa Stein full of 50s-80s prom snaps – oh there were some beauties (and horrors)!


After a brisk sushi lunch I quick-marched over to the Hardy Amies Christmas press day. Now formal menswear is really not my forte and Hardy Amies is certainly not a name that’s normally on my radar but I thought I’d have a look and I’m glad I did. The mens ready to wear suits are spot on – slim trousers, narrow lapels and a great pricepoint at only £425 for a suit. Then there were some shit hot skinny ties – who knew Mr Amies was the first to do a squared-off tie? I was also shown a pair of Chelsea boots that were first designed as a collab with Clarks in the 60s and have been revisited for 2008. One more thing, did you know Amies was a former spy? Me neither!

I just had time to put in an appearance at the House of Fraser Christmas press day – lots of patent clutches and frothy prom dresses as you’d expect – before haring it to the South Bank as I badly wanted to see Waterlilies. Of course, I should have booked. I got there just in time (no thanks to the frankly criminal signposts that sent me on a wild goosechase) only to find it was sold out. Oh quel bloody surpris! But no harm done because it meant I rediscovered Albert Nyathi & Imbongi, a fantastic Zimbabwean band who were taking part in the National Theatre’s free outdoor festival. Back-story: I first stumbled upon this band on a gruesome hospital appointment two weeks ago – they were playing a mini-gig in the hossie foyer! On exiting the film-that-wasn’t-to-be, I recognised their costumes (namely the Marc Jacobs-style headbands) and dance moves from my vantage point, so spent a very enjoyable half hour rocking out to their highly contagious melodic grooves. Ain’t it funny how things turn out?



The magic of Mabille




That Alexis Mabille is everywhere! First he got me hooked with his bow bags/bow-ties/bow hair accessories (not to mention a link-up with Goyard to produce a darling bow-tie box), next he opened the June couture with a masterclass in tuxedo dressing and now he’s hopped into bed with Lancome to design this beautifully bonkers Lotus Splendor eye and lip compact (in store August 1st). Whatever will he do next?



L’ecole Des Femmes





School of Women is a brand new girls’ line based out of LA but originally conceived in the back seat of a black convertible spider in 1962 by Georgette Malbesee and Jean Pierre Lachemescouilles through the cold smoke of a pair of unfiltered cigarettes.

Shortly after chucking these butts, the beatnik pair gave birth to style. A new style only to be honed, not bought. Crafted, not borrowed. Sewn, not printed.

The young rebels put together a book of designs only to be worn by those who would discover it . As soon as they were through they were off to rob their final bank for pocket change.

The two were shot that day. Never to leave behind the pitter patter of a youngling. Only the legacy of a style bible which no one had seen before. Many years later…down in the dumps and sick of her job as a computer artist, Laura S. moved to France, where she spent more time running into rude people than anything else. With very little glamorous left in her being save for her bad, bad habit of stealing other people’s cars, Laura found herself doing so again. Her first choice being the tragic couple’s car, newly bought by a bourgeois on the left bank. She sped off into the country with the cool black spider for pie and grape juice, when the car had suddenly gone exhausted from her bad driving and called it quits on the side of a road.

” The trunk!” She squealed, reaching into it for more gas, only to find a heavy rancid book.

” Le Style de Georgette et Jean Pierre?” She asked… And from then on they met, and it just is. ( cue: cigarette smoke in readers’ eyes)

Okay, the above yarn may or may not be true but on a design note, L’ecole des Femmes is a label that takes great pride in its pencil skirt specialty and retro flair. Three years in the making and L’ecole des Femmes is thriving and now located on 8207 3RD street Los Angeles, Ca 90048. This boutique will be opening mid August…



Levi’s: One for the What Took Them So Long file…



I’ve never understood how Levi’s 501s came in different cuts and fits – surely 501 is the style so shouldn’t have variations went my logic. Well, now Levi’s have decided to do a standard cut worldwide which makes perfect sense. The reason cited, according to Levi Strauss CEO John Anderson is that they believe straight-leg jeans are a global fashion trend and now is the right time to establish the 501 as an obvious choice for global consumers. I say, duh, isn’t that a bit obvious? But never mind, at least they’re doing it now. Let’s hope the fit is the same across mens and womens 501s. Please understand Mr Levi’s that some of us girls want what the boys have – a nice lazy-Sunday loose-but-not-falling-down fit.

UPDATE:
To answer my ‘why are there different fits’ question, D has kindly weighed in with the following:
Okay, so the 501 is the model of the brand. The model was then adapted as trends changed, hence the different varieties of 501 over the years, with slight changes in cut: the 1947, ’55, ’63, ’67 etc. It’s similar to the way that Ford have the Fiesta model and give it facelifts to make it more appealing to changing tastes as time passes. The ’47s are quite slim, the ’55s a wider cut, the ’63s have a higher waist and the cut is somewhere between a ’47 and ’55 and the ’67s are very slim, and have a zip fly.

That told me then.