“I have a huge disinterest in technologies that accelerate cultural speed. Immediately, they make me uncomfortable. But I’m fascinated by what society is becoming, and its evolution. I am watching the behaviour more than the thing itself…I am more interested in mystique and romance, what’s difficult to find, aesthetics that are not in your face. There are things you immediately know are surface, and other things the opposite, and I’m more interested in the opposite. When you find everything so easily, you don’t look deeply anymore and you don’t investigate anymore. And you get bored.” Raf Simons, 032c via Style.com
The coats! The coats! The Dior pre-fall 2015 pics are in and it’s all about the coats. And they’re not prissy couture coats either but outdoor-friendly(ish), utility-luxe offerings for rainy walks on the Welsh hills or motorbike rides around Tokyo. Or so we’re led to believe.
I love the storm coats in shiny Stone Island-esque materials for chucking on and off, and especially the wet-look A-line zippy affair juxtaposed with snazzy sequins (sorry, pailettes). And when the familiar Dior structured cuts come into play, they’re reimagined in a younger, streetier finish than we’re used to. (more…)
Picture the scene: on arrival at the pap-packed arch of the Musee du Louvre courtyard, you’re greeted by the Dior show venue – a giant mirrored cube. Could this be construed as the ultimate symbol of our modern, narcissistic times? A reflection of us in all our peacock-y finery? This I wondered as I joined pretty much every other show-goer in taking an obligatory selfie to share immediately (cos if you didn’t record it and instantly share it, then you clearly weren’t really there). (more…)