Most fashion films still don’t do it for me but animated films perfectly hit the spot. I like a surprise in a fashion film and the playfulness of Peter Phillip’s make-up animation and Quentin Jones’ exclusive Chanel film for Vogue.co.uk deliver that…
You may have noticed I have a bit of a rollerskating ‘thing’. Not being the sporty type, I can only guess it must hinge on the seductive Californian, 70s imagery that accompanies anything rollergirl/boy related, although there’s also some amazing imagery that goes back beyond the 70s. (more…)
This season sees the Resort/Cruise collections go mainstream. As customers are increasingly fashion-aware and exposed to newness 24/7, the onus is on designers to give them more fashion, more frequently. Whereas Cruise used to be something of an also-ran (see this article from 1988!), this season it’s become an event in itself with proper celebs – witness Jennifer Lopez, Charlize Theron and Christina Aguilera at Dior – and coverage in the dailies.
This quote from Karl Lagerfeld on Style.com sums it up:
“It’s not Resort anymore. It’s another collection—in the story of Fall, pre-Fall, Paris/London, pre-Spring, Spring—called “cruise.” It’s like a code name, but the thing is that Chanel needs six ready-to-wear collections a year, every two months completely new things at the shops. There are hundreds of shops all over the world that have to have something new all the time or else there’s no reason to go back. Or else you go to a place like Colette where they see 100 labels. If it’s one label, this label needs to have something new all the time.”