If you’re struggling for killer fashion gift ideas, allow me to make a recommendation.
I’ve just received my copy of Rebel Stylist*, a fantastic delve into the story of fashion styling straight from the lips (and visual archive) of the lady who invented it all, Caroline Baker. Caroline is a legend in the industry. She has worked for everyone, from Nova magazine to The Face, Vogue and i-D, as well as with iconic designers and brands including Benetton (the Toscani ads), Katharine Hamnett and Vivienne Westwood. Not to mention photographers – HelmutNewton, Hari Peccinotti, SarahMoon, GuyBourdin, SaulLeiter. Every mainstream trend you can think of – layering, military surplus, power dressing, underwear-as-outerwear – she was there first, trailblazing well before most of us were in nappies. (more…)
The SS22 fashion weeks are almost upon us and with them, the return of IRL street style.
I’m reminded of these old shots from the September 1969 issue of Nova magazine, by the sadly departed Steve Hiett, who captured fashion editors in the wild, in the days before they were the main attraction.
What I like about these editors is they look like they’re dressed to work, rather than to be photographed. (more…)
Café Royal Books is a really great niche publisher of photography mini books. I think it’s quite unique in its approach, publishing these small format books at very affordable prices.
This one, Petticoat Lane, London 1966 caught my eye from this week’s email. Photographer Roger Taylor created this series on his first ‘proper’ trip to London as a young photographer in 1966. His images of Petticoat Lane market traders capture a very ‘London’ essence of camaraderie, community and a little eccentricity. (more…)
Love, love, love the clean and classic styling on this Tiffany silver campaign.
The copy is a bit confusing though. It implies classic Tiffany is old fashioned with its “Not your mother’s Tiffany” strapline (which has riled its Instagram followers), yet then suggesting ‘mother knows best’.
Anyway, it’s always interesting to see heritage companies go back to basics; they all seem to do it. It’s a sort of way to reinforce their power, to show new customers their worth (these Elsa Peretti cuffs are iconic after all). (more…)