Fashion archives have become quite a thing in recent years. But have you ever wondered what goes into creating them? It’s something I’m a little obsessed with. When I ask brands about their archives, I usually hear either that everything is kept in an off-site, temperature-controlled, white-gloves location (think heritage luxury brand) or, more commonly, “it’s all stuffed in a back room full of jumbled up rails and we’d never allow visitors inside.” (more…)
In London we haven’t had a truly cold snap yet this year but I’m bracing myself. If the threats are true that we’re in for the harshest winter since 1949, then I plan to be thoroughly insulated. (more…)
Trending for spring: boyfriend shorts, sheer-panelled skirts, barely-there bandeau tops… Um, not in my world they’re not. On rotation in my wardrobe right now is the same thing I’ve been wearing since last September – an endless cycle of jumbo cardigans and polo necks, underpinned by a lifetime’s supply of Hanro vests. Where would I be without my Hanros?
My go-to Hanro is the ‘1601‘ in black or white, made famous by Nicole Kidman in Eyes Wide Shut, but otherwise worn by thousands as a pretty spaghetti-strapped vest that works under any weight or sheerness of top. I wear mine under T-shirts, jumpers, silk shirts and sheer blouses. And if it does get properly balmy, you can wear one on its own too.
The adjustable-strapped V-neck vests (and short sleeve tops, my other Hanro addiction – seen on Kate Moss, above) are made in Switzerland from mercerised cotton, wool and silk. Some are trimmed with filigree embroidery still produced in Swiss factories. They’re not cheap – the 1601 costs £29 for the cotton version – but they’re beautifully made and absolutely last. Cost-per-wear wise, they’re a very good investment.