Tag Archives: fashion shows
Why have a show? That’s the 64 million dollar question that continues to circulate fashion week season after season. The answer is still elusive – is it an industry insider event or a public spectacle? – but I think if you’re going to have a show, make it a show. Make some element of it surprising, delightful, emotional, weird or thought provoking. It’s not like there isn’t a ton of options at your disposal. There’s the set, the music, the choreography. Or the casting, styling, make up…take your pick.
Carven’s Paris show was staged at the elegant Galerie Des Gobelins – a collection of youthful tailoring with collage-y placements and crystal embroidery that nodded to the art of Man Ray and Blumenfeld. Continue reading
Two days into London Fashion Week and, as with New York, the arctic temperatures are having a definite impact. Not just in what the guests have been wearing at Somerset House (rain ponchos and fur trims outstrip open toes), but on the runway itself. Continue reading
New York Fashion Week is in full swing and London editors are gearing up for LFW which is three days away. With IMG and various New York designers rethinking their blogger strategy, the conversation continues to rage around the current and future role of fashion weeks and their associated ‘circus’.
I took part in a panel discussion on this very subject a couple of weeks ago with WGSN. We did it as a live Google Hangout and the panel also included Quynh Mai, founder of digital agency Moving Image & Content, WGSN’s senior arts editor Elle Hankinson, Fashionista’s editor-in-chief Lauren Indvik, and was hosted by WGSN’s senior digital media editor, Rachel Arthur. Continue reading
“We are either stuck behind a rope or have to compete with snotty-nosed kids who get in your way as they shoot crap on their iPhones”
Sean Cunningham, because magazine
Fascinating insight on the trials and tribulations of the backstage Fashion Week photographer in this story by Camilla Morton
It’s easy to forget that Marc Jacob’s early shows for Vuitton were much more pared back than what we see now. There are hardly any catwalk pictures online from that time but I absolutely love this video of the AW 1998 Louis Vuitton show (above), featuring Naomi Campbell, Kirsten Owen and a demure-looking Gisele. Any of these looks would easily look current today.
Something new for London Fashion Week this season: the addition of the London College of Fashion MA show. I usually have an aversion to student shows (they just end up being soooo long), but in this case, a concise edit of ten graduates was speedily delivered. Continue reading
Being a catwalk model must be the best fun these days; you simply never know what you’re going to be asked to do. From Mulberry’s dogwalkers, to Matthew Williamson’s close-up Vine videos, to Topshop Unique’s model cams and Burberry’s #Beautybooth, there’s so much interactive fun to be had at the shows. Before I left for yesterday morning’s first show, I caught Topshop’s Google+ video of Cara Delevingne doing a circuit of the Topshop Unique runway with a vídeo cam stashed in her handbag. Continue reading
Today I truly experienced the luxury and convenience of a concierge service. I’ve been working with Amex to experience all they have to offer this Fashion Week, which in reality means I’ve had cars booked to ferry me from show to show, my on-the-go catering needs seen to, plus all manner of other requests – small and large – dealt with. Amex asked me what my ‘pain points’ were during Fashion Week and I said transport issues, wi-fi issues and just general juggling of everything. Continue reading
Here’s a little backstage beauty nugget I found out recently. See that backstage beauty station? See those hairspray-like cans wrapped in parcel tape? That’s a little known secret of fashion shows. When big beauty brands sponsor shows, they want their and only their branding in the backstage shots. So MAC doesn’t want a stray Lancome mascara wand in view at a MAC-sponsored show and Toni & Guy doesn’t want a can of Elnett upstaging its products if it’s paying for exclusive endorsement. All well and good, but it seems there’s an understanding that sometimes X product is the only one that will do for X star hairdresser. So the solution is to cover it in gaffer tape to disguise the branding. In fact, some say that Toni & Guy’s black-clad Label M product packaging was so designed to mimic the gaffer-tape look I just described. Who knew?
[Image: Grazia Daily/BaByLiss]