Tag Archives: exhibitions
Another date for the diary. This is only on for three days and it starts this Friday.
89:14 – A Street Style Journey is a look at the last 25 years of street style trends, featuring exhibits from fashion and music influencers (including a fair few friends of DRG). Also included are some of the images from Nina Manandhar’s brilliant What We Wore book, plus a live street style ‘map’ to which punters are encouraged to add their own ephemera, photos and stories. Until the days of Tommy Ton and The Sartorialist, ‘street style’ actually meant something completely different. Less high fashion peacocking and more youth culture fashion tribes. Continue reading
As a rule, I don’t do ‘press release’ blogging (aka cut-n-paste blogging) but there’s simply too much info here to do otherwise! So if you haven’t seen Matisse Cut-Outs at Tate Modern yet, why not do it this weekend in the best possible way? In a customer service coup, Tate Modern is turning the last weekend of the exhibition into an interactive extravaganza. All the info is below… Continue reading
Nope, still not bored with this year’s fashion-art love affair. Which is just as well as it’s only set to intensify. Late October sees the big reveal of the Frank Gehry-designed Fondation Louis Vuitton art museum in Paris (above), showcasing the LVMH corporate collection of art. The 126,000 square foot ‘glass cloud’ is rumoured to be the venue for the next Vuitton womenswear show, so expect your Instagram feed to be flooded with art-fashion-architecture amazingess of the highest order… Continue reading
If you love colour and geometric graphics it’s hard not to be drawn to the work of Josef Albers. Showing at Somerset House for another two weeks (until 31st August) is FORM THROUGH COLOUR, an exhibition of Christopher Farr textiles inspired by the works of Josef Albers, his wife Anni Albers and contemporary artist Gary Hume. Continue reading
When it comes to immersive, experiential retail, you can’t really beat Harrods and its epic store takeovers. Chanel and Dior have had their turn and this month saw the unveiling of Pradasphere, a fusion of shop windows (40 in total), pop-up shop, cafe and exhibition.
The exhibition on the fourth floor is the big draw. It starts with glass cabinets telling the story of the beginnings of the 101-year-old brand. Originally purveyors of leathergoods, we’re shown vitrines of ancient paper packaging, handbag frames and luxurious vanity sets for the travelling classes. All give an air of revered Milanese shopkeeper to the proceedings, nicely bringing us back to retail. Continue reading
So best dressed from last night’s Met Gala? Gotta be Tabitha Simmons in Dolce & Gabbana and Hamish Bowles and his outstanding cape-work, no? Plus a shoutout is in order for Hamish Bowles’ top notch pap work on Instagram…
If you want a life affirming experience, tear yourself away from the computer and get thee to Henri Matisse: The Cut-Outs at Tate Modern. Comprising around 120 of Matisse’s fragile paper works, this is the first time this many of the iconic cut-outs have been shown together. The opportunity has not been wasted, with the works displayed in airy rooms that give ample space to these energetic and colourful pieces. Continue reading
Sorry PRs but my big highlight of Paris Fashion Week wasn’t the shows or the parties but the new exhibition, Dries Van Noten: Inspirations. Showing at the Arts Decoratifs Museum until 31st August, Dries Van Noten and curator Pamela Golbin have coincidentally created an assemblage of exhibits that encompasses a number of my own favourite themes.
Downstairs is big on the foppish overlaps of masculinity and femininity, the romance of youth subcultures and a fascination with British monarchy and society. As you enter the exhibition through Azuma Makoto’s giant floral fantasia, you’re greeted by a room wallpapered with pop culture references. From camp Divine posters to Interview magazine covers, these are easily recognisable to anyone who grew up in the 80s. Dries Van Noten’s early designs from his student days at the Antwerp Royal Academy (his 1981 sun motif coat looks especially contemporary) sit alongside influential pieces by Kenzo, Mugler, Versace and Worlds End-era Westwood, culled from the museum’s own archive.
The subsequent vitrines are grouped in themes such as ‘Iconclast’, ‘Graphic’ and ‘Butterflies’ and display seemingly disparate items – a film clip, artwork or ancient textile piece – alongside examples from a chosen Dries Van Noten collection, to demonstrate his creative through process. It’s funny to think this is the first time a designer exhibition (it’s not billed as a retrospective) has been presented this way because it really makes a lot of sense in revealing the common passions and aesthetics of the brand and the man. Continue reading
“People get this very romantic vision of a fashion designer who in one night makes 25 sketches and in the morning throws them on the table and there are a lot of women in white aprons with the pins on the lapel and they start to grab the sketches and… It’s not like that. Forget it! It’s lists, it’s computers, it’s meetings, it’s planning, it’s organising. It’s all these things.”
Dries Van Noten, The Telegraph
I can’t wait to see Dries Van Noten: Inspiration at Les Arts Décoratifs in Paris this weekend!
[Image: The Guardian]