Tag Archives: exhibitions
Sorry PRs but my big highlight of Paris Fashion Week wasn’t the shows or the parties but the new exhibition, Dries Van Noten: Inspirations. Showing at the Arts Decoratifs Museum until 31st August, Dries Van Noten and curator Pamela Golbin have coincidentally created an assemblage of exhibits that encompasses a number of my own favourite themes.
Downstairs is big on the foppish overlaps of masculinity and femininity, the romance of youth subcultures and a fascination with British monarchy and society. As you enter the exhibition through Azuma Makoto’s giant floral fantasia, you’re greeted by a room wallpapered with pop culture references. From camp Divine posters to Interview magazine covers, these are easily recognisable to anyone who grew up in the 80s. Dries Van Noten’s early designs from his student days at the Antwerp Royal Academy (his 1981 sun motif coat looks especially contemporary) sit alongside influential pieces by Kenzo, Mugler, Versace and Worlds End-era Westwood, culled from the museum’s own archive.
The subsequent vitrines are grouped in themes such as ‘Iconclast’, ‘Graphic’ and ‘Butterflies’ and display seemingly disparate items – a film clip, artwork or ancient textile piece – alongside examples from a chosen Dries Van Noten collection, to demonstrate his creative through process. It’s funny to think this is the first time a designer exhibition (it’s not billed as a retrospective) has been presented this way because it really makes a lot of sense in revealing the common passions and aesthetics of the brand and the man. Continue reading
“People get this very romantic vision of a fashion designer who in one night makes 25 sketches and in the morning throws them on the table and there are a lot of women in white aprons with the pins on the lapel and they start to grab the sketches and… It’s not like that. Forget it! It’s lists, it’s computers, it’s meetings, it’s planning, it’s organising. It’s all these things.”
Dries Van Noten, The Telegraph
I can’t wait to see Dries Van Noten: Inspiration at Les Arts Décoratifs in Paris this weekend!
[Image: The Guardian]
Jewelled cigarette cases, necessaires, cigarette cases, necessaires… Cartier could quite easily have staged its Cartier: Style and History exhibition at Paris’s Grand Palais around these stunning, opulent objects alone. A historic display of around 600 pieces, most from the Cartier archive, it comprises grand tiaras from the world’s royalty (both regal and Hollywood), epic jewels, and magical timepieces, alongside original sketches, plaster moulds, photos and ledgers. Continue reading
Get me to Paris and fast! Forget the Rue du Faubourg Saint-Honoré, the only luxury trinkets I want to see this month are safely ensconced in the Grand Palais for the just-opened Cartier. Style and History exhibition.
Amongst the 600-odd pieces of jewellery and 300 contextual objects (paintings, dresses, archive documents – oh my!) on display at this exhibition, there’s a focus on Jeanne Toussaint. Cartier’s head of accessories and later director of jewellery, her bold and clever work has been frequently referenced by modern jewellers.
This 1944 singing uncaged bird brooch represents the liberation of France:
I haven’t been to the Barbican’s Pop Art Design exhibition yet but it’s top of my list of things to do. Meanwhile, I have been to the new Christie’s Mayfair gallery space in New Bond Street which is currently showing When Britain Went Pop!
Oh. My! This is bloody good. Continue reading
David Bowie Is at the V&A was a brilliant trip down memory lane as well as a peek into the brain of the enigma that is Bowie. However much we see of him, do we really feel like we know the man? Apparently, he kept an archive of everything he had ever done from his early youth.
Every song lyric, sketch, photo, sleeve design was carefully stored for…what? He didn’t know at his early age that he would become an icon of his time, but I guess the ambition was there.
Looking at the vitrines curated by a cast of London creatives at the ICA Off-Site project, ‘A Journey Through London Subculture – 1980s to now’, it’s clear that a lot of people have also kept the ephemeral fragments that sum up their artistic journey. From flyers to Polaroids, to scratchy notes and stickers, what to some looks like old junk, is of intrinsic value, especially in the digital age of cloud storage. (When was the last time you printed out your iPhone photos?) Continue reading
Coming to East London this Thursday for one night only is the exhibition, ‘Fabulousity: A night you’ll never forget…or remember!’. Showcasing the previously unseen photos of the 1990s New York Club Kids by Alexis Dibiasio (think Michael Alig et al), the exhibition will travel to Milan in late September for Fashion Week, followed by the US & Japan. Continue reading
Ohhh be still my beating pop art love heart. Lisa Perry has a collection launching in September that beautifully reimagines the graphic goodness of Robert Indiana. As much as I love Andy Warhol and Roy Lichtenstein, their aesthetics have been well and truly rinsed by the fashion world. Indiana is still relatively untouched by fashion and it looks like Perry has done a respectful job in realising his typography and targets in her clothes and accessories. (I’m hoping the high street won’t kill this too soon with their bad replicas.) Continue reading
Showcasing the regal style of Diana, Princess Margaret and HM The Queen, it reveals the ‘rules’ of royal style throughout the decades. My favourite outfits are Princess Margaret’s 1950s gowns. As the most glamorous royal at the time, there was less pressure for her to wear British designers so she fully indulged in the likes of the plunging Dior hourglass gown pictured above (worn to her 21st birthday party in 1953) and the Marc Bohan for Dior fur coat, below… Continue reading