Tag Archives: exhibitions
Nope, still not bored with this year’s fashion-art love affair. Which is just as well as it’s only set to intensify. Late October sees the big reveal of the Frank Gehry-designed Fondation Louis Vuitton art museum in Paris (above), showcasing the LVMH corporate collection of art. The 126,000 square foot ‘glass cloud’ is rumoured to be the venue for the next Vuitton womenswear show, so expect your Instagram feed to be flooded with art-fashion-architecture amazingess of the highest order… Continue reading
If you love colour and geometric graphics it’s hard not to be drawn to the work of Josef Albers. Showing at Somerset House for another two weeks (until 31st August) is FORM THROUGH COLOUR, an exhibition of Christopher Farr textiles inspired by the works of Josef Albers, his wife Anni Albers and contemporary artist Gary Hume. Continue reading
When it comes to immersive, experiential retail, you can’t really beat Harrods and its epic store takeovers. Chanel and Dior have had their turn and this month saw the unveiling of Pradasphere, a fusion of shop windows (40 in total), pop-up shop, cafe and exhibition.
The exhibition on the fourth floor is the big draw. It starts with glass cabinets telling the story of the beginnings of the 101-year-old brand. Originally purveyors of leathergoods, we’re shown vitrines of ancient paper packaging, handbag frames and luxurious vanity sets for the travelling classes. All give an air of revered Milanese shopkeeper to the proceedings, nicely bringing us back to retail. Continue reading
So best dressed from last night’s Met Gala? Gotta be Tabitha Simmons in Dolce & Gabbana and Hamish Bowles and his outstanding cape-work, no? Plus a shoutout is in order for Hamish Bowles’ top notch pap work on Instagram…
If you want a life affirming experience, tear yourself away from the computer and get thee to Henri Matisse: The Cut-Outs at Tate Modern. Comprising around 120 of Matisse’s fragile paper works, this is the first time this many of the iconic cut-outs have been shown together. The opportunity has not been wasted, with the works displayed in airy rooms that give ample space to these energetic and colourful pieces. Continue reading
Sorry PRs but my big highlight of Paris Fashion Week wasn’t the shows or the parties but the new exhibition, Dries Van Noten: Inspirations. Showing at the Arts Decoratifs Museum until 31st August, Dries Van Noten and curator Pamela Golbin have coincidentally created an assemblage of exhibits that encompasses a number of my own favourite themes.
Downstairs is big on the foppish overlaps of masculinity and femininity, the romance of youth subcultures and a fascination with British monarchy and society. As you enter the exhibition through Azuma Makoto’s giant floral fantasia, you’re greeted by a room wallpapered with pop culture references. From camp Divine posters to Interview magazine covers, these are easily recognisable to anyone who grew up in the 80s. Dries Van Noten’s early designs from his student days at the Antwerp Royal Academy (his 1981 sun motif coat looks especially contemporary) sit alongside influential pieces by Kenzo, Mugler, Versace and Worlds End-era Westwood, culled from the museum’s own archive.
The subsequent vitrines are grouped in themes such as ‘Iconclast’, ‘Graphic’ and ‘Butterflies’ and display seemingly disparate items – a film clip, artwork or ancient textile piece – alongside examples from a chosen Dries Van Noten collection, to demonstrate his creative through process. It’s funny to think this is the first time a designer exhibition (it’s not billed as a retrospective) has been presented this way because it really makes a lot of sense in revealing the common passions and aesthetics of the brand and the man. Continue reading
“People get this very romantic vision of a fashion designer who in one night makes 25 sketches and in the morning throws them on the table and there are a lot of women in white aprons with the pins on the lapel and they start to grab the sketches and… It’s not like that. Forget it! It’s lists, it’s computers, it’s meetings, it’s planning, it’s organising. It’s all these things.”
Dries Van Noten, The Telegraph
I can’t wait to see Dries Van Noten: Inspiration at Les Arts Décoratifs in Paris this weekend!
[Image: The Guardian]
Jewelled cigarette cases, necessaires, cigarette cases, necessaires… Cartier could quite easily have staged its Cartier: Style and History exhibition at Paris’s Grand Palais around these stunning, opulent objects alone. A historic display of around 600 pieces, most from the Cartier archive, it comprises grand tiaras from the world’s royalty (both regal and Hollywood), epic jewels, and magical timepieces, alongside original sketches, plaster moulds, photos and ledgers. Continue reading
Get me to Paris and fast! Forget the Rue du Faubourg Saint-Honoré, the only luxury trinkets I want to see this month are safely ensconced in the Grand Palais for the just-opened Cartier. Style and History exhibition.
Amongst the 600-odd pieces of jewellery and 300 contextual objects (paintings, dresses, archive documents – oh my!) on display at this exhibition, there’s a focus on Jeanne Toussaint. Cartier’s head of accessories and later director of jewellery, her bold and clever work has been frequently referenced by modern jewellers.
This 1944 singing uncaged bird brooch represents the liberation of France: