Here’s the latest weekly DRG STYLE INDEX ranking, a round-up of the brands currently buzzing on my radar…
1. VETEMENTS JUST OPENED ITS FIRST STORE
Dover Street Market, barometer of all things zetgeisty has given Vetements its first ever store. Situated in DSM’s New York outpost, it’s… well, it basically looks like a curtained-off fitting room, but hey if DSM are calling it a ‘store’ then I’m not gonna argue. (more…)
Is it just me or did the Topman Design SS15 show at LC: M feel like Madchester-meets-Britpop through an Elizabeth Peyton filter? Gorgeous colour palette, psychedelic print-clashing, sensitive-boy casting, floppy flares and wayward moptop haircuts. That’s your indie-boy look sorted for 2015…
Sorry PRs but my big highlight of Paris Fashion Week wasn’t the shows or the parties but the new exhibition, Dries Van Noten: Inspirations. Showing at the Arts Decoratifs Museum until 31st August, Dries Van Noten and curator Pamela Golbin have coincidentally created an assemblage of exhibits that encompasses a number of my own favourite themes.
Downstairs is big on the foppish overlaps of masculinity and femininity, the romance of youth subcultures and a fascination with British monarchy and society. As you enter the exhibition through Azuma Makoto’s giant floral fantasia, you’re greeted by a room wallpapered with pop culture references. From camp Divine posters to Interview magazine covers, these are easily recognisable to anyone who grew up in the 80s. Dries Van Noten’s early designs from his student days at the Antwerp Royal Academy (his 1981 sun motif coat looks especially contemporary) sit alongside influential pieces by Kenzo, Mugler, Versace and Worlds End-era Westwood, culled from the museum’s own archive.
The subsequent vitrines are grouped in themes such as ‘Iconclast’, ‘Graphic’ and ‘Butterflies’ and display seemingly disparate items – a film clip, artwork or ancient textile piece – alongside examples from a chosen Dries Van Noten collection, to demonstrate his creative through process. It’s funny to think this is the first time a designer exhibition (it’s not billed as a retrospective) has been presented this way because it really makes a lot of sense in revealing the common passions and aesthetics of the brand and the man. (more…)
More than ever I’m finding that the magazines I read (as opposed to buying, then placing untouched in a pile for two months) are those with a unique or personal point of view. Possibly an influence from the blog phenomenon, it feels like these mags have more to say and are therefore savoured, returned to and kept. Three I’m liking at the moment: (more…)