Tag Archives: Dr Martens
What happens in Bristol stays in Bristol, as was the case on our West Country adventure with model-slash-dancer-slash-all-round-creative-entity, Arlie Osborne at Models 1. She showed us the sights – the street art, the waterways, the Clifton Suspension Bridge, oh and the best breakfast in the west (thank you Cafe Kino)…
Dress, McQ pre-fall 14
Jumper, ESK AW14
T-shirt, stylists own///Trousers, McQ pre-fall 14
T-shirt, stylist’s own///Trousers, McQ pre-fall 14
Just arrived at Dr Martens… this new collection by Agyness Deyn. This time, her inspiration was Harajuku, hence the chunky naive sandals, Minnie Mouse bows and loveheart motifs. I’m glad to see that Dr Martens has hit its stride in recent seasons, aligning itself with the modern heritage movement and successfully catering to old and new customers (the stores in Westfield Stratford and Carnaby Street are pitch perfect). Continue reading
Some goodies from the AIPR AW12 press day back in March. My favourite discovery? Louis W, a capsule collection for A.P.C by in-house designer Louis Wong, consisting of perfect renditions of the bomber and biker jacket (alas, they’re in men’s sizes – typical). Due in October… Continue reading
Heritage is the watchword of the moment, so how timely that Dr Martens should invite me on a trip to their super-dooper factory last week. The British workwear boot company celebrates its 50th anniversary this year and has, ooh, millions of projects on the go to celebrate. On arrival at the HQ in Northamptonshire, our first stop was the showroom where the AW10 collection was unveiled. Ta da! There are polka dots, suede brogues, kiddy colours and a whole family of metallics in store for next season…
I was quite taken with the velvets. Although they may look a bit ‘Dr & The Medics‘, they’re made with very posh Italian velvet. I was urged to stroke them and yes, they did indeed feel lovely and luxe. These made me think of early 90s Nick Knight shoots, Sonia Rykiel, Ann Demeulemeester and dandyish blouses with floppy bows.
I was also drawn to this Redwing-like silhouette. Fact: 75% of the Dr Martens range is available in both mens and womens sizes and this is one of them.
Typically, my favourite style was the most fancy offering, the pebbled leather 1460s which are so super-precious they were secured behind a glass cabinet. Dr Martens are only selling 1460 pairs in each colour as a special celebratory collector’s item and they went on sale last Thursday (I know, I know) so may well be sold out.
There is also an attempt at enticing the Ugg customer with a £200 shearling bootie. Note, it’s made from real shearling, hence the price, none of this cheap stuff.
Also in attendance were creative directors Andrew Bunney and his wife Tommy who have been working with Dr Martens to get the right balance of fashion and function in the collections. These guys have really nailed it and looking at the number of failed rebrands I’ve seen over the years, this is no easy feat.
Dr Martens’ heritage is workwear but from the 1970s onwards, it was adopted by one youth culture after another. Punks, skinheads and indie grunge kids all adopted the boots as their own reactionist uniform, giving it a reverance that few other brands command. Part of the celebrations this year include ten bands recording ten cover versions of cult classics. We were given a sneak preview of three, of which I loved If The Kids Are United by The Duke Spirit (the Jamie Morgan-directed video is a beaut too).
Fascinating fact: I call these ‘Tim Walker’ trollies. Tim Walker has one in his house. Amazing!
*In the early 90s, the factory produced a million pairs of Docs a month. The factory was in use 24 hours a day to keep up with demand.
*There is a machine just for making the grooves in the side of the soles. Who knew?