I can’t pretend I’m not thrilled that beauty is going through a natural phase for Spring. I much prefer peachy cheeks and a balmy lip to labour-intensive make-up theatrics. That said, it’s not all nude lips and smoky eyes, Givenchy’s spring palette is unapologetically candy-coloured with some fun tricks up its sleeves. (more…)
I’ve just watched a screening of the Dior and I movie, the documentary directed by Frédéric Tcheng which comes out on 27th March (in the UK). Following Raf Simons as he creates his first ever Dior collection in just eight weeks (a couture one, no less), it’s a tense and insightful look at Simons’ creative approach and process as he steps into the lead role at Paris’s most iconic fashion house.
It’s a very human and beautiful film. (more…)
The voluminous, boxy silhouette is hands down the defining shape for this decade. I love anything that’s oversized, masculine and luxurious but I can’t help wondering how much longer the Celine aesthetic can endure?
Whistles has managed to boil the essence down to a signature that works for its own customer; tailored trousers, walkable shoes, sleek bags and brilliant coats that are directional (but not overwhelmingly so) and practical. And warm! (more…)
In these days of Insta-journalism, a fanciful theme is a gift to the time poor and attention-deficit. It helps tell the story of a collection which is what selling clothes is all about. And our young female designers are particularly adept at it.
On the first day of London Fashion Week AW15, we saw evocative tableaux styled as an art class and a gossipy teen gathering courtesy of Molly Goddard and Le Kilt respectively. Meanwhile, Shrimps gave us beautifully vacant aliens landed on a glittery planet surrounded by stalagmites. (more…)