I’ve just watched a screening of the Dior and I movie, the documentary directed by Frédéric Tcheng which comes out on 27th March (in the UK). Following Raf Simons as he creates his first ever Dior collection in just eight weeks (a couture one, no less), it’s a tense and insightful look at Simons’ creative approach and process as he steps into the lead role at Paris’s most iconic fashion house.
Is there anyone better at translating its brand ‘codes’ into make-up? I think not. Chanel has done it again with its new limited edition Les Intemporels de Chanel palette and nail polish, which pay homage to the classic 2.55 bag.
The five eyeshadows in the L’Intemporel De Chanel palette (£47) are embossed with the unmistakable chain motif, while the dramatic colours are an interesting choice – unapologetically intense shades of green and purple, the blackest of blacks, plus silver white and soft gold to highlight. They almost look like little jewels in a jewellery box… (more…)
The Chanel and Dior AW14 couture collections were so different from each other although they both referenced the past to inform the future. The other thing they had in common was youthful hair and makeup. Chanel’s wayward ‘eighties boy band’ hairpieces (above and below) stole my attention from the clothes, giving the outfits an energetic attitude alongside equally youth-centric Sharpie-pen eyeliner flicks. (Full disclosure: I had a major backcombing habit in my teens.) (more…)
As we all know, a decade doesn’t really hit its stride until it reaches its mid point, which is kind of where we’re at now – summer 2014. In fact, it feels to me like we’re only now properly embracing the 21st century, ready to leave the security of the past century behind and boldly go forth. If you want a crystal clear sign, then look at the death of the hipster. Ruling the fashion landscape since the early 2000s, the combo of vintage pastiche, emerging technology and ironic, ugly-on-purpose styling defined the first decade of the millennium with one foot in the past and one foot in the future. Now, having exhausted every ironic retro reference, we’re ready to go full speed into the 2000s. (more…)