Tag Archives: Christian Dior
I’ve just watched a screening of the Dior and I movie, the documentary directed by Frédéric Tcheng which comes out on 27th March (in the UK). Following Raf Simons as he creates his first ever Dior collection in just eight weeks (a couture one, no less), it’s a tense and insightful look at Simons’ creative approach and process as he steps into the lead role at Paris’s most iconic fashion house.
It’s a very human and beautiful film. Raf is a sensitive guy and we see him building relationships with his atelier teams while navigating a whole new world of couture. There are creative pressures as this uncompromising designer attempts to achieve the impossible, such as reimagining a Sterling Ruby painting woven in Bucol duchesse satin. And there are PR pressures as all attention is focused on him, while this private, camera-shy designer would really rather let the work do the talking.
I’m quite surprised he agreed to do this film, considering the intimacy of the scenes, some very dramatic and extremely emotional. Those scenes are, of course, the best ones, in which we feel his anxieties and triumphs. Sharing the limelight are his right hand, Pieter Mulier and the atelier heads and seamstresses who are like a family. And cleverly threading the narrative together is a voiceover dialogue from Mr Christian Dior himself, in which his experiences and observations seem to echo Raf’s.
My favourite scene is the one where we see Raf and Dior’s PR chief talking a few moments before the couture collection is unveiled to the expectant press and photographers. I won’t spill the beans but will just say, take tissues, you’ll need them.
Words: Navaz Batliwalla/Disneyrollergirl
This summer, I noticed a trend emerging that I couldn’t wait to hit the high street. All the skater boys were wearing too-short jeans, an inch or so above their battered Vans and it’s a look I’ve always loved.
The skinny jeans obsession has peaked so we’re after something new. and as it coincides with Normcore, I’m just going to say it – welcome back Levi’s 501, I’ve missed you.
How I’d like to wear too-short 501s? Exactly like this. If your 501s aren’t this length when you buy them, you can get them altered at the Levi’s store, fast and free (I think mine were done in a day). And the walkable heels showing just a bit of skin are a refreshing change from Tribute-style ankle-breakers (RIP).
[Main pic: Tommy ton/Style.com]
This is just me emptying my head of all the nuggets of retail biz info I’ve picked up lately. Continue reading
Gosh isn’t there a lot going on with retail right now? Online may be the all-powerful monster threatening the high street, but bricks and mortar stores are fighting back by ramping up the drama and excitement on offer.
We saw mutated versions of it at Raf Simons’ debut Dior couture show last July, and now Bruno Frisoni has updated the original in silver mirror leather and pink mink for Roger Vivier’s Rendez-Vous collection AW13. The iconic ‘Comma’ shoe, designed by Vivier in the 1950s was a precursor to the stiletto. As shoe designer for Dior, his creations set the benchmark in footwear design for years to come, and the bent, squat ‘Comma’ was one of his best.
Fast forward to 2013 and we’re seeing more versions of those inwards- and outwards-curved heels, both from the house of Dior and from the house of Vivier and in short and tall versions. For Dior RTW SS13 they’re tall, slightly flared and bent inwards, while at yesterday’s Dior couture show they were super-slender and came in bright metallics and chalky shades. Let’s see if the ‘Comma”s influence spreads further…
Original Roger Vivier ‘Comma’ heel 1957