Here’s the latest weekly DRG STYLE INDEX ranking, a round-up of the brands currently buzzing on my radar…
1. MARC JACOBS’ INSTAGRAM SHOP
Oh the bane of not being able to shop from Instagram! Marc Jacobs Beauty couldn’t stand it any longer and has set up a tool just for Insta-shoppers. It’s a bit like LikeToKNOW.it, and thus, slightly clunky. (more…)
Er, hello Matchesfashion.com with your rather excellent (and free) The Style Report magazine! The retailer has stepped up its editorial considerably lately, not least with its current cover and feature on Caroline De Maigret.
Everyone’s current favourite French fancy, the interview is soooo good, she is charmingly blunt in the way that only Parisienne women seem to be able to get away with. And of course, she looks imperfectly-perfect in Boo George’s pictures (styled by Verity Parker). Here she is in Marques’Almeida (above), Preen and Isabel Marant… (more…)
Right, I’m making it my mission to find out who’s behind the Paris-based label, Vetements. Apparently a collective of designers who have to be anonymous due to commitments at other brands (they’ve all served at Maison Martin Margiela while some have also worked at Balenciaga and Céline), it’s a label that dismisses the concept of ‘fashion’ and theme-y collections for timeless wardrobe pieces that are anything but basic. (more…)
Sorry PRs but my big highlight of Paris Fashion Week wasn’t the shows or the parties but the new exhibition, Dries Van Noten: Inspirations. Showing at the Arts Decoratifs Museum until 31st August, Dries Van Noten and curator Pamela Golbin have coincidentally created an assemblage of exhibits that encompasses a number of my own favourite themes.
Downstairs is big on the foppish overlaps of masculinity and femininity, the romance of youth subcultures and a fascination with British monarchy and society. As you enter the exhibition through Azuma Makoto’s giant floral fantasia, you’re greeted by a room wallpapered with pop culture references. From camp Divine posters to Interview magazine covers, these are easily recognisable to anyone who grew up in the 80s. Dries Van Noten’s early designs from his student days at the Antwerp Royal Academy (his 1981 sun motif coat looks especially contemporary) sit alongside influential pieces by Kenzo, Mugler, Versace and Worlds End-era Westwood, culled from the museum’s own archive.
The subsequent vitrines are grouped in themes such as ‘Iconclast’, ‘Graphic’ and ‘Butterflies’ and display seemingly disparate items – a film clip, artwork or ancient textile piece – alongside examples from a chosen Dries Van Noten collection, to demonstrate his creative through process. It’s funny to think this is the first time a designer exhibition (it’s not billed as a retrospective) has been presented this way because it really makes a lot of sense in revealing the common passions and aesthetics of the brand and the man. (more…)