Tag Archives: AW14
Why have a show? That’s the 64 million dollar question that continues to circulate fashion week season after season. The answer is still elusive – is it an industry insider event or a public spectacle? – but I think if you’re going to have a show, make it a show. Make some element of it surprising, delightful, emotional, weird or thought provoking. It’s not like there isn’t a ton of options at your disposal. There’s the set, the music, the choreography. Or the casting, styling, make up…take your pick.
Carven’s Paris show was staged at the elegant Galerie Des Gobelins – a collection of youthful tailoring with collage-y placements and crystal embroidery that nodded to the art of Man Ray and Blumenfeld. Continue reading
I’m in Paris for a few days to do some shows, some re-sees, some window shopping and hopefully to get a first look at the Dries Van Noten exhibition. To prep myself I swung by the Dries shop in Quai Malaquais. I managed to take a sneaky photo – isn’t it gorgeous? Continue reading
Glitter, hi-shine and metallics for day are emerging in a big way from the Milan AW14 shows. London had them too, at Meadham Kirchhoff and Preen.
We have had metallics and sequins etc for day before but the shapes we’re seeing this time are masculine and utilitarian. Continue reading
So London Fashion Week is done and dusted (Do check out my daily highlights HERE, HERE, HERE and HERE) but I’m not quite finished yet. As part of my partnership with Swatch, I’m ending on this roundup of forthcoming AW14 trends. You can also head over to the Swatch Facebook page to watch the videos we filmed at Somerset House… Continue reading
The final day of London Fashion Week was all about youthful ideals and teen romance, kicking off at 9am with Marques’Almeida. This duo has slowly and steadily built an appealing aesthetic that riffs on tattered-edged insousiance of a bygone kind. While earlier collections were rooted in nineties grunge, AW14 takes its essence from New York’s Chelsea Hotel and its famous 1970s inhabitants. The models’ Patti Smith-style bird’s nest hair matched the fuzzy furry stoles and shoes, while the colour palette was surprisingly upbeat – complemented by primary-coloured MAC paint ringing the eyes. Continue reading
Day four is when things properly take shape at LFW with the heavy hitters showing the fruits of their labour. Alongside the international heavyweights Burberry Prorsum and Tom Ford, we had two newbies on the schedule. Blue Farrier made her debut as creative director of Issa London, while Maia Norman’s Mother Of Pearl presented at the ICA. Continue reading
Loving everything about Coach AW14, from the colour palette, to the lighting, to the all-American photo backdrops (by Joel Sternfeld) to those killer clunky boots. A well played debut by Stuart Vevers for Coach’s first RTW collection…
I could write a thesis-length post on Raf Simons and Sterling Ruby’s epic joint AW14 collection, but I won’t. Instead I recommend you read all about in Tim Blanks’ Style.com report. Or just enjoy the pictures. Suffice to say, the conceptual art student is alive and kicking on the catwalk and if you love collage, Pollock-meets-Clash paint splatters, Lichtenstein primary colours and provocative wordplay, then it’s all here for ya, wrapped up in dun-coloured cashmere and nubby tweed. Continue reading
I’ve enjoyed the modernised African references that have come through so far on the AW14 menswear runways – notably at Agi & Sam, A Sauvage and Stella Jean. I’m hoping we’ll see more at the forthcoming women’s shows. As much as I like traditional kente cloth and wax-style prints, it’s good to see a more varied approach to ‘Africa’ that moves on from Masai beading and casually draped robes. Continue reading
Sometimes you want theatrics and fanfare at a fashion show, other times, the simplest things can resonate. These sweatshirts at Calvin Klein Collection menswear AW14 are doing it for me…